2020
DOI: 10.1111/arcm.12545
|View full text |Cite
|
Sign up to set email alerts
|

Was Lacquer the Key Ingredient for Luxurious Jinyin Pingtuo Products in the Tang Dynasty of China (AD 618–907)?

Abstract: Jinyin pingtuo is one of the most sumptuous decorative methods applied on 'lacquered' objects described in Tang dynasty literatures. Two Tang dynasty objects, a silver bowl and a bronze mirror, in the British Museum collection said to be made by this technique, were scientifically examined to confirm the application of the technique. Although the metal décors levelled with the rest of the surfaces on these objects suggested the application of the pingtuo method, lacquer, a major ingredient of this technique, w… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1

Citation Types

0
5
0

Year Published

2020
2020
2024
2024

Publication Types

Select...
6

Relationship

0
6

Authors

Journals

citations
Cited by 7 publications
(5 citation statements)
references
References 29 publications
(37 reference statements)
0
5
0
Order By: Relevance
“…It is not difficult to see the difference between the copper and bronze artefacts and to deduce that the delicate pure copper ones were imported, considering only polymetallic copper ore veins within the Bohai borders [23]. In LTS, most of these copper ornaments were buried with noble metal lacquer box (M13:160) and silver back bronze mirror (M13:168) together [8], which were considered from Tang Dynasty [24]. In addition, the pattern theme and emblazonry design on the copper, gold, and silver artefacts were similar to the ones on contemporaneous Tang style noble metal artefacts and high classes bronze mirrors (Fig.…”
Section: Discussionmentioning
confidence: 99%
“…It is not difficult to see the difference between the copper and bronze artefacts and to deduce that the delicate pure copper ones were imported, considering only polymetallic copper ore veins within the Bohai borders [23]. In LTS, most of these copper ornaments were buried with noble metal lacquer box (M13:160) and silver back bronze mirror (M13:168) together [8], which were considered from Tang Dynasty [24]. In addition, the pattern theme and emblazonry design on the copper, gold, and silver artefacts were similar to the ones on contemporaneous Tang style noble metal artefacts and high classes bronze mirrors (Fig.…”
Section: Discussionmentioning
confidence: 99%
“…Provenance is often attributed based on art historical knowledge, and, even when it is officially recorded, debates and questions easily arise [4]. Given the popularity of lacquered objects, European craftsmen started imitating and paraphrasing them, using locally available materials and techniques to closely reproduce the glossy luxury of their Oriental equivalents [5].…”
Section: Introductionmentioning
confidence: 99%
“…Given the popularity of lacquered objects, European craftsmen started imitating and paraphrasing them, using locally available materials and techniques to closely reproduce the glossy luxury of their Oriental equivalents [5]. It is therefore extremely important to determine the chronology, manufacture origin or even authenticity of such objects to avoid misleading attributions [4].…”
Section: Introductionmentioning
confidence: 99%
“…17,18 Initially, unbleached shellac, which also contains special pigments, was mainly used in silk dyeing and to coat artworks, metal devices, and military products owing to its good ductility, insulation, adhesion, and barrier properties. 19,20 Shellac has also been proven to be nontoxic and edible, as confirmed by its wide application as a food-grade coating and wax. 21,22 In recent decades, shellac has been used to develop delivery systems, 23,24 owing to its several advantages including recognized safety, colonic pH responsiveness, well film-forming properties, easy reactivity, special solubility, and amphiphilicity, which will be further described in detail later in this review.…”
mentioning
confidence: 97%
“…Based on the different R and R′ groups, the cyclic terpene acid moiety in shellac can be divided into shellolic, jalaric, laccijalaric, laksholic, laccishellolic, and laccilaksholic acids . With more than 4000 years of practical history, shellac has been widely used in various fields, including metallurgy, dyeing, food, and medicine. , Initially, unbleached shellac, which also contains special pigments, was mainly used in silk dyeing and to coat artworks, metal devices, and military products owing to its good ductility, insulation, adhesion, and barrier properties. , Shellac has also been proven to be nontoxic and edible, as confirmed by its wide application as a food-grade coating and wax. , In recent decades, shellac has been used to develop delivery systems, , owing to its several advantages including recognized safety, colonic pH responsiveness, well film-forming properties, easy reactivity, special solubility, and amphiphilicity, which will be further described in detail later in this review.…”
mentioning
confidence: 99%