Heritage studies is a booming inter-and multi-disciplinary field that is well networked internationally. In particular, critical heritage studies have enjoyed major success internationally and every two years hundreds of scholars from across the world assemble at the conferences of the Critical Heritage Studies Association (www.criticalheritagestudies.org). As Astrid Swensson (2013) reminds us, such internationalism was inscribed in heritage right from its very beginnings in the eighteenth century. Heritage initiatives developed everywhere out of the interplay between civil society initiatives, emerging state administrations, monument owners, and a broader historical culture (Swensson 2013: 329). Strong transnational links existed and persisted in national preservationist milieus forming a dense network of transnational contacts that globalised heritage. At the same time, however, heritage remains often intensely vernacular and localsomething that, at one level, has to do with the object of study: heritage tends to take place within highly specific locations, be they streets, suburbs, villages, landscapes, regions or nations. Critiques of methodological nationalism (Wimmer and Glick-Schiller 2003) have pointed to the enormous power of nation states in framing science and scientific endeavour in the modern period. In the realm of heritage they constructed national peculiarities. Thus, as Swensson s study shows, much of French heritage was created by the state, whilst a lot of German heritage was authorized by middle class-driven civil society action, and a considerable part of English heritage was sanctioned by an anti-modern aristocracy (Swensson 2013: 329). The national framework, in which heritage was being studied, has been, for a long time, the dominant framework in heritage studiesregardless of parallel processes of internationalization of heritage studies.