Webbasiertes Kundenmonitoring in der Kreativwirtschaft

Engstler, Martin; Nohr, Holger; Bendler, Franziska

doi:10.1007/978-3-658-04745-0_6

Cited by 2 publications

(1 citation statement)

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“…As a response to part of these challenges, the European Grouping of Societies of Authors and Composers (GESAC) confirmed the good practices of CCIs during economic crisis and highlighted their relevance as a dynamic and fast growing sector which directly contributed to youth employment (GESAC, 2014). Researches performed since the end of the nineties in England (Department for Culture, Media and Sports, 2016;Garnham, 2005), France (Bouquillion et al, 2013Bouquillon, 2008) and Germany (Engstler, 2013;RuhrUniversität Bochu, 2008) have demonstrated to be in consonance with these European strategies of harmonization of cultural indicators.…”

Section: Introductionmentioning

confidence: 98%

Cultural and Creative Industries in the Community of Madrid: context and economic development 2008 – 2014

Gómez¹,

Rodríguez²,

Cedillo³

2017

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The Community of Madrid is one of the main focuses of Cultural and Creative Industries in Spain (CCI), therefore it is necessary to measure their socioeconomic impact in the region in aspects such as competitiveness, investment, employment and social cohesion. Objectives: The objective of this article is to introduce a model, using a harmonized and comparable methodology, that identifies the evolution of CCIs in the Community of Madrid (CAM) in the current context of digital change, so to understand public policies and gain awareness, from an Autonomic perspective, about to what extent they contribute to the generation of employment and social wellbeing. The purpose of our research is, therefore, the construction of tools that improve current statistical parameters and that promote their implementation by Autonomic governments -which doesn"t have a Strategic Plan so far, as other Autonomies do-, establishing a better connection with the goals of Horizon 2020 Programme. regarding regional GDP, stabilization of performative fine arts and libraries and museums, and the dropping of architecture, both economic and labour. We also find there are huge differences in the investment in culture among AACC.

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Section: Introductionmentioning

confidence: 98%