2011
DOI: 10.1177/1538513211408248
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White Civic Visions Versus Black Suburban Aspirations

Abstract: As one of the country's first urban renewal projects under the 1954 Housing Act, Cleveland’s Garden Valley featured private apartments intended for middle-class African Americans. However, it was built on a landfill and offered living conditions far below what its residents expected. Analysis of where tenants moving into the project came from and where they moved afterward underlines their suburbanizing aspirations. Into the 1960s, Garden Valley came under increasingly harsh criticism for reinforcing segregati… Show more

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“…Homes in neighborhoods such as Kinsman, St. Clair-Superior, and Hough lost between 80 and 87% of their value between (Western Reserve Land Conservancy, 2015. This protracted moment was acutely painful in itself, but it also falls in line as one more example of the many instances of "creative destruction" in majority Black neighborhoods across Cleveland: decades of slum development (and subsequent clearance), urban renewal (Michney, 2011), arson (Kerr, 2011(Kerr, , 2012, housing demolition, and so on. Central to most racial projects inscribed in space, creative destruction is an intrinsic, albeit unpredictable, part of the capitalist spatial fix: a reworking of capital across space that "thoroughly transform(s)" landscapes for the purpose of reinvigorating capital accumulation (Brenner and Theodore, 2002, p. 355).…”
Section: Moments In Cleveland: a Housing Crisis And A Young Kingmentioning
confidence: 89%
“…Homes in neighborhoods such as Kinsman, St. Clair-Superior, and Hough lost between 80 and 87% of their value between (Western Reserve Land Conservancy, 2015. This protracted moment was acutely painful in itself, but it also falls in line as one more example of the many instances of "creative destruction" in majority Black neighborhoods across Cleveland: decades of slum development (and subsequent clearance), urban renewal (Michney, 2011), arson (Kerr, 2011(Kerr, , 2012, housing demolition, and so on. Central to most racial projects inscribed in space, creative destruction is an intrinsic, albeit unpredictable, part of the capitalist spatial fix: a reworking of capital across space that "thoroughly transform(s)" landscapes for the purpose of reinvigorating capital accumulation (Brenner and Theodore, 2002, p. 355).…”
Section: Moments In Cleveland: a Housing Crisis And A Young Kingmentioning
confidence: 89%