Despite increasing scholarly and media attention on sexual violence in public spaces, including those associated with the night-time economy and licensed venues, music festivals have been largely absent from research and policy. This paper presents the findings from the first UK study of sexual violence at music festivals, drawing on data from interviews with 13 women who have experienced some form of sexual harassment or assault at a festival. Analysis reveals that sexual violence at festivals occurs on a continuum and represents an extension of rape culture through which sexual violence is culturally condoned and normalized, enabled through a number of environmental and culture features that are unique to festivals.

This article introduces and evaluates ‘scrapbooking’ as a critical pedagogic approach to gender-based violence (GBV). This approach is inspired by the rapid development of conceptual and methodological tools for researching violence and abuse and the need for their translation into transformative teaching. Drawing on a feminist methodology of ‘research conversations’, but original in its development of ‘pedagogic conversations’, this research advocates further empirical attention to GBV teaching and presents its own four ‘lessons learnt’ from experimenting with scrapbooking. Scrapbooking is argued to facilitate not only the translation of GBV research into teaching, but also affective and embodied consciousness-raising and continuum-thinking in both students and tutors.

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