The performing arts of dance, theatre, music and live art have become established means through which cultural geographers can examine how people experience and make sense of their everyday worlds. Simultaneously, performance theorists and practitioners increasingly seek geographical tools that help elucidate the broader processes or politics that underpin artistic genres of performance. This review article works at this interdisciplinary nexus, exploring the diverse areas of engagement between geography and the performing arts. It provides an overview of three spatialities around which interdisciplinary exchanges take place, and where there are interesting synergies in the conceptual approach to studying geographies of performance, namely: landscapes, places and cities. In so doing, the article outlines some avenues where geography and performance studies academics might further their mutual interests, and argues that geography is central to the constitution, meaning and form that performance works take.

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