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Objectives: To determine frequency of fetal iron deficiency anemia at the time of birth in obese mothers. Study Design: Cross-sectional Descriptive study. Setting: Department of Obstetrics and Gynecology, Nishtar Hospital Multan. Period: September 2018 to February 2019. Material & Methods: A total of 368 obese pregnant women with singleton pregnancy between 37 -40 weeks of gestation were included in the study after informed consent. Cord blood was collected after delivery via syringe aspiration from the umbilical vein. Fetal Iron status in the form of serum iron, hemoglobin, transferrin saturation was measured with calorimetric endpoint assay. Obesity in pregnancy is defined as BMI equal and more than 30kg/m2. Fetal iron deficiency anemia was defined as fetal hemoglobin less than 14.5g/dl, fetal iron 97.3micro gram/dl and transferrin saturation 39.6% at birth. Results: Among 368 cases, 87.8% of cases were having their BMI 30kg/m2 to 34.9kg/m2. BMI between35kg/m2 to 39.9kg/m2 was noted in 10% of cases and in 2.2% of cases BMI was equal to or more than 40kg/m2. Frequency of neonatal iron deficiency anemia was 22.8%. Conclusion: There is a increase prevalence of obesity in women of childbearing age however maternal obesity has no significant correlation of fetal iron deficiency anemia.

This article probes into an exploration of Social stigmas and hierarchies in Saeed's Forgotten Faces that result in the detachment of an artist in society. The colonial rule of society proposed a new value to this research which mainly focuses on discrimination which leads towards the demise of folk theatre and its artists. Demise is the outcome of psychological discrepancies that come their way. This hegemonic supremacy of societal rules compels them to not have their own discourse and their desired way of spending life. They cannot keep their personal lives private. Being in this profession, artists sacrifice many things that a person from another profession can't dare to think so. In the finale, the present study contextualizes within the boarder of Freud's theory of personality and social-cognitive approaches to unravel reality. The article results that you lose your soul first and lose your mind at last, which is the final destruction of the artist life: social hierarchies and the stigma of being bad to prove turmoil for artists by destroying their mental peace.

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The present study tends to explore the feminine subjectivity as a heart-throbbing phenomenon for men that keeps on prevailing in a patriarchal society. This is an exploration into the life of Pakistan's renowned writer, poet and human activist, Kishwar Naheed. Her autobiographical writing Buri Aurat ki Katha (A Bad Woman's Story) probes into the life of a female character who is being restrained by society due to her achievements and fame but gender discrimination prevailing in society compelled her to consider herself a stigma. Naheed is taken as a representative character to project the reality of a patriarchal society that denies feminine subjectivity in society. It covers gynophobia over men's mind towards women powerful and independent existence in society. This study contextualizes within the border of feminism theory that covers threat to female identity by throwing light to the perspective taken by Kristeva's views on feminism, majorly focusing on male jingoistic society. The present inquiry spotlights the ways in which women suffer through threatened, identity crisis, abuse, and oppression that further leads woman's journey of life restrained under social commands.