This paper presents the study of three bronze socketed axes discovered in Neamţ County, Romania. The surface structures and those from the interface of the corrosion layer with the metal core of the basic alloy were analyzed, in order to elucidate the nature of the materials used and the manufacturing processes. The analyzes by optical microscopy (OM) and electron microscopy (SEM), coupled with X-ray spectrometry (EDX), revealed the type of their degradation during the depositional period, as a result of the processes of chemical alteration and physical damage. A series of metallurgical techniques used were also established, as well as the identification of some finishing and decoration processes that led to the establishment of the objects’ functionality.

Field survey activities in the Verdele brook basin, South of Hoisești village, Neamț County, have led to the identification and integration of new sites in the national archaeological database. At first, we made a visual analysis of the Verdele brook basin (left tributary of the Bistrița River), a stage followed by the identification of the places that presented specific parameters of areas with archaeological traces. In this context, South of the Hoisești village, on the left high terrace of the Verdele brook, on a flattened hillock delimited by two fossil riverbeds, we identified many archaeological traces. The fieldwalking activity continued during four agricultural seasons in which we took in consideration the distribution of the artefacts, the degree of damage inflicted to the area and the way the use of agricultural machinery was affecting an archaeological site. In order to confirm the presence of the archaeological content, the artefact distribution and the need to recover and protect the heritage, non-invasive investigations were performed, which proved the existence of a Eneolithic stronghold with three linear arranged 19 housing structures. As a result of this evaluation, it was proposed to carry out an archaeological survey in which the main objective was the research of a rectangular house. After removing the topsoil containing archaeological remains, was reached the archaeological level represented by the remnants of a burnt housing structure. The archaeological investigation started at the Hoisești-La Curmătura 1 led to the identification of some specific characteristics of the Eneolithic settlements with an area of less than one hectare located on minor watercourses and in the vicinity of some sources of liquid salt. In the same context, by recovering a batch of pottery fragments from the Middle Bronze Age, additions will be made regarding the occupation space and the connectivity in the central area of the Cracău-Bistrita Depression.

Prehistoric pottery is the most abundant material discovered in archaeological sites and represents the main element of knowledge about human communities from the past. This study presents a model of interdisciplinary investigation of pottery through several types of analyses, enabling the scientific study of this category of artifacts. The analyses were performed on 11 ceramic fragments from the Middle Bronze Age settlement of Piatra Neamț–Lutărie, Eastern Romania, considering information about the color, production technique, type, size, functionality and category of the vessel, but also data related to ceramic paste inclusions. The samples were studied by optical microscopy (OM), scanning electron microscopy (SEM) coupled with energy-dispersive X-ray analysis (EDX) and micro-Fourier-transform infrared spectroscopy (µFTIR). The results obtained provide important information regarding pottery manufacturing technologies, such as sources of the raw materials and firing temperatures, and revealed the functionality of various vessel categories within a prehistoric settlement.

Wooden icons used in liturgical activities suffer a series of evolutionary deteriorations and degradations over time, due to improper storage and use conditions. The deterioration of the physical state of the structural-functional elements and degradation of the chemical nature of the components often lead old easel paintings to precarious preservation (almost close to pre-collapse), impossible to use or display as an artifact. In this study was included an old oil-painted icon on a carved linden wood support with fine gilded ornaments, which frames a central icon (“Coronation of Virgin Mary”) and a complex Menaion icon system with iconographic scenes. It was made by an anonymous author and dates back to the late 18th and early 19th centuries. As the icon has a special beauty and an ornamental and iconographic complexity, having a great heritage value, it required the elaboration of an optimal preservation–restoration protocol for the museum exhibition. Initially, the nature of the pictorial materials was determined, and their preservation state was evaluated using the OM, SEM-EDX, micro-FTIR methods, and CIE L*a*b* colorimetry and visible and UV reflectography were used in the evaluation of the wash test and in compatibility studies. Based on the data obtained, the optimal materials and procedures for structural reintegration were selected (including support fillings and filling of gaps), then chromatic reintegration and gilding, followed by final revarnishing, with or without patination additives.

By correlating the structural–functional dimensional data with a series of archaeometric and chemometric characteristics determined by dendrochronological analysis and by three instrumental techniques (Scanning Electronic Microscopy, coupled with Energy Dispersive X-ray, µ-FTIR Spectroscopy and Thermal Analysis in Dynamic Mode), a Stradivarius violin was authenticated as having been made by one of the two Stradivari sons (Francesco or Omobono) in 1723. It should be noted that the “petite” type violin, which comes from a private collection and was recently purchased on the open market, has the original label and is in a poor preservation state. There is only one revarnishing intervention on the violin, and it is older than 80 years. There have been several attempts at sampling (all of which are under 30 years old) for the wooden support and varnish (from the top cover of the resonance box), but the existence of some analysis results is unknown. The dimensional characteristics of the structural–functional components place the violin in “petite violins”, and it is one of the more than 40 still preserved as an authentic artifact.