Many everyday decisions have to be made under risk and can be interpreted as choices between gambles with different outcomes that are realized with specific probabilities. The underlying cognitive processes were investigated by testing six sets of hypotheses concerning choices, decision times, and information search derived from cumulative prospect theory, decision field theory, priority heuristic and parallel constraint satisfaction models. Our participants completed 40 decision tasks of two gambles with two non-negative outcomes each. Information search was recorded using eye-tracking technology. Results for choices, decision time, the amount of information searched for, fixation durations, the direction of the information search, and the distribution of fixations conflict with the prediction of the non-compensatory priority heuristic and indicate that individuals use compensatory strategies. Choice proportions are well in line with the predictions of cumulative prospect theory. Process measures indicate that individuals thereby do not rely on deliberate calculations of weighted sums. Information integration processes seem to be better explained by models that partially rely on automatic processes such as decision field theory or parallel constraint satisfaction models.

Can a machine learn to perceive emotions as evoked by an artwork? Here we propose an emotion categorization system, trained by ground truth from psychology studies. The training data contains emotional valences scored by human subjects on the International Affective Picture System (IAPS), a standard emotion evoking image set in psychology. Our approach is based on the assessment of local image statistics which are learned per emotional category using support vector machines. We show results for our system on the IAPS dataset, and for a collection of masterpieces. Although the results are preliminary, they demonstrate the potential of machines to elicit realistic emotions when considering masterpieces.

Is there any relationship between visual fixation durations and saccade amplitudes in free exploration of pictures and scenes? In four experiments with naturalistic stimuli, we compared eye movements during early and late phases of scene perception. Influences of repeated presentation of similar stimuli (Experiment 1), object density (Experiment 2), emotional stimuli (Experiment 3) and mood induction (Experiment 4) were examined. The results demonstrate a systematic increase in the durations of fixations and a decrease for saccadic amplitudes over the time course of scene perception. This relationship was very stable across the variety of studied conditions. It can be interpreted in terms of a shifting balance of the two modes of visual information processing.

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