Предложен проект авторского словаря, в котором описываются перцептивные образы поэтического творчества Б.Л. Пастернака. Освещены общие установки и принципы создания словаря подобного типа. Указаны основания для выделения перцептивных единиц и их классификация. Представлен вариант словарной статьи (перцептивный образ «тишина»), в рамках которой особое место занимает зона комментариев. В центре внимания-идиостилевые особенности исследуемых единиц и их текстообразующий потенциал.
The aim of the article is a linguistic analysis of sound images in the context of original and translated poems by Boris Pasternak. The authors focus on the author’s individual features of perceptual imagery representation. This imagery is the basis for poetry transformations found in Pasternak’s Russian translations of poems by John Keats. Sound images in the translated poems have the same semantic and ‘poetic’ characteristics as in the original works by Pasternak.
The section of the author's dictionary, which presents perceptual images of sound, represented in the poems by B.L. Pasternak is described. The general principles of text material classification are considered and a version of the language entry (perceptual image "music") is proposed. The focus is on individual style particularities and the text-forming potential of linguistic units with semantics of sensual perception.
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