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The first in-depth study of the society and culture of Roman and late antique Egypt that uses everyday artefacts as its principal source of evidence, this book transforms our understanding of many aspects of its society and culture. It represents a fundamental reference work for scholars, with much new and essential information on a wide range of artefacts, many of which are found not only in Egypt, but also in the wider Roman and late antique world. It also sets out a new interpretation of everyday life and aspects of social relations in Egypt in the period under study. By taking a social archaeology approach, it contributes substantial insights into everyday practices and their social meanings in the past. Artefacts from UCL’s Petrie Museum of Egyptian Archaeology are the principal source of evidence. Most of these objects have not been the subject of any previous research. The book integrates the close study of artefact features with other sources of evidence, including papyri and visual material. There are two principal parts to the book, Part I: ‘Exploring the Social Functions of Dress Objects’, and Part II: ‘The Domestic Realm and Everyday Experience’. An important theme is the life course, and how both dress-related artefacts and ordinary functional objects construct age and gender-related status, and facilitate appropriate social relations and activities. There is also a particular focus on wider social experience in the domestic context. Other topics covered include economic and social changes across the period studied.

Replica artefacts are a well-established feature of Roman archaeology, particularly as used in experimental archaeology, by re-enactors, and in museum education. 3D scanning offers a new methodology for the accurate production of such artefacts, which can then be used both in scholarly research and in public engagement activities. This article describes methodologies for 3D scanning and 3D printing, together with appropriate craft techniques, in the creation of replica musical instruments from the collection of UCL's Petrie Museum of Egyptian Archaeology in London. While there were some challenges in replica creation, discussed in further detail, 'functional replicas' were successfully made, that, we argue, replicate sufficiently accurately those features of the objects under investigation from a research perspective. These were the decibel levels (sound power levels), and, for some objects, frequency (pitch) ranges produced, and the variety of sounds that they could produce. This evidence makes an important contribution to our understanding of the contexts of use of the original instruments. Sound recordings virtually modelled in a likely use location, the courtyard of a typical house from Roman-period Egypt, were also produced and assist in our conceptualisation of the wider acoustic environment. Sound recordings and replicas were additionally used for public engagement purposes in a temporary exhibition at the Petrie Museum, and their contribution to museum education is assessed. 3D scanning and printing technology are demonstrated to be valuable techniques for the production of accurate replicas, which can be used successfully to contribute to scholarly research and museum education in new ways. Appendices include .stl files that may be downloaded and 3D printed, to make copies of the replicas for use in new research and education projects.

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