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What happens when we stop seeing streets merely as geographical locations and rather interpret them as archives? What if, in focusing on an African street such as Oxford Street in Accra, we interpret this archive not as static, but as providing a transcript of dynamic transformations of discourse ecologies? The elaboration of a method for understanding the African street as an archive of discourse ecologies will be the main subject of this paper, with a particular focus on cell phone advertising on the street from 2006-2007. I do not stop at an examination of cell phone advertizing billboards but relate these to the veritable galaxy of other cultural inscriptions to be seen in mottoes and slogans on lorries, cars, pushcarts and other mobile surfaces that can be encountered on the street. Such mobile slogans are a distinctive feature of Accra and of many African urban environments. The central mark of these mottoes and slogans is an improvisational character that is specifically tied to the local cultural mediations that have historically been drawn upon for them. Taken together the two dimensions of inscription-billboard and slogans-hint at the arc of urban social histories, while also invoking a rich and intricate relationship between tradition and modernity, religion and secularity as well as local and transnational circuits of images and ideas. [

Taking the pieces by Robert Young and Dipesh Chakrabarty as a starting point, this essay looks at certain problems in postcolonial literary history to do with representation, context and space. Various implications of the pieces by Young and Chakrabarty are assessed for how they might help us re-situate postcolonial studies.

This book examines tragedy and tragic philosophy from the Greeks through Shakespeare to the present day. It explores key themes in the links between suffering and ethics through postcolonial literature. Ato Quayson reconceives how we think of World literature under the singular and fertile rubric of tragedy. He draws from many key works – Oedipus Rex, Philoctetes, Medea, Hamlet, Macbeth, and King Lear – to establish the main contours of tragedy. Quayson uses Shakespeare's Othello, Chinua Achebe, Wole Soyinka, Tayeb Salih, Arundhati Roy, Toni Morrison, Samuel Beckett and J.M. Coetzee to qualify and expand the purview and terms by which Western tragedy has long been understood. Drawing on key texts such as The Poetics and The Nicomachean Ethics, and augmenting them with Frantz Fanon and the Akan concept of musuo (taboo), Quayson formulates a supple, insightful new theory of ethical choice and the impediments against it. This is a major book from a leading critic in literary studies.

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