Optical Coherence Tomography (OCT) has been shown to have potential for important applications in the field of art conservation and archaeology due to its ability to image subsurface microstructures noninvasively. However, its depth of penetration in painted objects is limited due to the strong scattering properties of artists' paints. VIS-NIR (400 nm -2400 nm) reflectance spectra of a wide variety of paints made with historic artists' pigments have been measured. The best spectral window with which to use optical coherence tomography (OCT) for the imaging of subsurface structure of paintings was found to be around 2.2 µm. The same spectral window would also be most suitable for direct infrared imaging of preparatory sketches under the paint layers. The reflectance spectra from a large sample of chemically verified pigments provide information on the spectral transparency of historic artists' pigments/paints as well as a reference set of spectra for pigment identification. The results of the paper suggest that broadband sources at ~2 microns are highly desirable for OCT applications in art and potentially material science in general.

There has been a long tradition of applying biomedical imaging techniques to the examination of historical artefacts, owing to similar demands for non-invasive methods in both fields. Optical Coherence Tomography (OCT) is no exception. We review the achievements on OCT applications to art conservation and archaeology since the publication of the first papers in 2004. Historical artefacts include a much broader range of materials than biological tissues, hence presenting a greater and somewhat different challenge to the field of OCT. New results will be presented to illustrate the various applications of OCT including both qualitative and quantitative analysis.

Optical coherence tomography (OCT) is a fast scanning Michelson interferometer originally designed for in vivo imaging of the eye. In 2004, our group along with two other groups first reported the application of OCT to art conservation and archaeology. Since that time we have been conducting a project to investigate systematically the potential of OCT as a new tool for non-invasive examinations of a wide range of museum objects and to design an OCT optimised for in situ use in museums. Here we present the latest results from this ongoing project, which include the determination of the optimum spectral windows for OCT imaging of paintings and painted objects executed using traditional techniques, and non-invasive imaging of the subsurface stratigraphy of painted layers at multiple wavelengths. OCT imaging in assisting spectral pigment identification and in measuring refractive indices of paint will also be presented to illustrate the potential of the technique.