Lead carbonates were used as cosmetic and pigment since Antiquity. The pigment, known as lead white, was generally composed of cerussite and hydrocerussite. Unlike most ancient pigments, lead white was obtained by a synthetic route involving metallic lead, vinegar and organic matter. Fermentation of organic matter produces heat and CO2 emission, leading to the formation of carbonates. As lead white is formed by trapping CO2, radiocarbon (14C) dating can thus be considered. We have developed a protocol to prepare lead white. We selected modern pigments for the experiment implementation and ancient cosmetic and paintings for dating. After characterization of the samples by XRD, thermal decomposition of cerussite at various temperatures was explored in order to select the appropriate conditions for painting samples. CO2 extraction yield, SEM and XPS were used to characterize the process. Thermal decomposition at 400°C was successfully applied to mixtures of lead white with other paint components (oil as binder, calcite as filler/extender) and to historical samples. We obtained radiocarbon measurements in agreement with the expected dates, demonstrating that thermal decomposition at 400°C is efficient for a selective decomposition of lead white and that paintings can be directly 14C-dated by dating lead white pigment.

An analytical methodology involving Particle Induced X-ray Emission (PIXE) and Rutherford Backscattering Spectroscopy (RBS) was implemented to respectively characterize the composition and the thickness of silver leaves on gilt leather decors. These objects, ancestors of our wallpapers, are nowadays still difficult to date and their provenance is generally determined from stylistic studies. The initial aim of this study was to identify markers that could be correlated with the object provenance to help distinguishing the different gilt leathers workshops in Europe. The analytical methodology was validated on modern samples and applied to a corpus of 58 ancient gilt leathers from four countries. This study provided an assessment of the sensitivity of the ion beam techniques used, and highlighted the complexity of such analyses on thin silver leaves due to the different factors affecting them, and the composite nature of the object. Thus, the thicknesses calculated from the RBS analyses presented a great variability that seems to be related to the leaf characteristics, the manufacturing process and/or the life of the decor. Nevertheless, observations suggest that silver leaves coming from the Netherlands are thicker than the ones from Spain, Italy or France. Concerning the elemental composition, the results discarded previous hypotheses and the focus was made on gold and mercury trace elements, thus it was shown that leaves in Italian decors seem to have generally a low content of these two elements. Despite the large number of decor analyzed, the corpus should be expanded over to confirm the hypotheses raised by this research. Nevertheless the results gained from this work bring new light on the factors affecting thin metal leaves in general, which will be beneficial to all fields dealing with their analysis.

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Un important volume de cuirs archéologiques gorgés d’eau a été découvert sur la ZAC du Vieux-Port, boulevard Dr Henri-Henrot à Reims. Une gestion raisonnée de ce mobilier, complexe à traiter, a permis sa conservation grâce à un protocole de stabilisation d’abord mis en place progressivement, puis systématiquement grâce au soutien d’un mécénat local qui a ainsi rendu possible son étude exhaustive.

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