No abstract

Weighing of experience was a central concern of what Bacon called the "literate" stage of experimentation. As early as 1608, Bacon devised precise tenets for standard, quantitative reporting of experiments. These ideas were later integrated into his experimental histories proper. Bacon's enquiry of dense and rare is the best example of experientia literata developed in a quantitative fashion. I suggest that Bacon's ideas on this issue can be tied to experiments for the determination of specific gravities born in a monetary context: Bacon's investigation was very likely a generalization of Jean Bodin's experiments in Universae naturae theatrum (1596). Overall, Bacon's program of quantification calls for a revision of established historiographical notions, especially Thomas Kuhn's sharp dichotomy between a mathematical and a Baconian experimental tradition in seventeenth-century science. ). I thank Mary Domski, Bill Newman, Evan Ragland and three anonymous referees for their helpful suggestions and criticisms. I also aknowledge the generous support of the Chemical Heritage Foundation. 1) "Atque hactenùs tamen potiores Meditationis partes, quàm Scriptionis in inveniendo fuerunt; neque adhùc Experientia literata facta est: Atquì nulla nisi de Scripto inventio probanda est. Illâ verò in usum veniente, ab Experientiâ factâ demùm literatâ, meliùs sperandum." Novum Organum, in e Instauratio Magna, part II: Novum Organum and

In 1622, Francis Bacon published his Historia naturalis et experimentalis. Many of the features of Bacon's natural and experimental histories were entirely new. This paper studies this literary form as a new epistemic genre. In particular, it analyzes its origin and evolution in Bacon's work, focusing on how its basic template and features were influenced by his specific epistemic requirements. It shows that Bacon devised these features in the process of developing a Historia mechanica, or a history of the mechanical arts, drawing on the particular case of the technical recipe. Since antiquity, the recipe had been the dominant epistemic genre for recording and communicating technical knowledge. However, this paper suggests that the recipe format did not meet Francis Bacon's epistemic needs. In particular, the format was incompatible with the goal of keeping experimentation and its reporting open‐ended and flexible. More generally, the acknowledgment of the provisional, historical character of knowledge was a tenet of what Bacon called an “initiative” method of knowledge transmission, or a method of “probation.” According to this approach, knowledge “ought to be delivered and intimated, if it were possible, in the same method wherein it was invented” and discovered. Only the display of its tentative features would encourage and stimulate others to improve and advance it. The format of the new genre of natural and experimental histories grew out of Bacon's dissatisfaction with the way in which recipes hid the imperfection of the process of knowledge production.

No abstract

Notwithstanding Francis Bacon's praise for the philosophical role of the mechanical arts, historians have often downplayed Bacon's connections with actual artisans and entrepreneurs. Addressing the specific context of mining culture, this study proposes a rather different picture. The analysis of a famous mining metaphor in The Advancement of Learning shows us how Bacon's project of reform of knowledge could find an apt correspondence in civic and entrepreneurial values of his time. Also, Bacon had interesting and so far unexplored links with the early modern English mining enterprises, like the Company of Mineral and Battery Works, ofwhich he was a shareholder. Moreover, Bacon's notes in a private notebook, Commentarius Solutus, and records of patents of invention, allow us to start grasping Bacon's connections with the metallurgist and entrepreneur Thomas Russell. Lastly, this paper argues that, to fully understand Bacon's links with the world of Stuart technicians and entrepreneurs, it is necessary to consider a different and insufficiently studied aspect of Bacon's interests, namely his work as patents referee while a Commissioner of Suits.