In the Tibetan Buddhist monastery town of Labrang, located in southwest Gansu Province, China, the past is a heavy, and very often hidden, burden for residents and visitors alike (figure 1). This is not readily apparent amidst the bustling ‘nowness’ of commercial activities in this tourist site and model town for the profitable coexistence of Tibetan Buddhist monasticism and Chinese state-sponsored development goals. But as I discovered over the course of my fieldwork there in the mid-1990s, and again in the summer of 2002, for a population living with unsanctioned memories of the traumatic ruptures of the Chinese Communist-led revolution beginning in 1949, the ‘unsaid’ of history spoke loudly in implication—in implied dialogue with multimedia official histories, in the gaps in written and oral chronologies of events, in the revived performance of the lay and monastic ritual calendars, and in the dodges and silences of my Tibetan interlocutors during our many conversations about their pasts: “I don't know anything! I'm too young, you know!” (Tibetan [Tib.] ngas shes ni ma red, nga lo chung gi mo). Ama Drolma, a village matriarch in her late fifties, repeated this adamantly to me after I and my Tibetan woman assistant had asked her for a taped interview about local “history” (Tib. lo rgyus). She would hear none of our explanations about my interest in people's personal histories and insisted that I seek out old men, they would know about “early, early, early times” (Tib. sngan na sngan na sngan na).

Drawing on fieldwork between 2007–2013 in Amdo Tibetan regions in northwestern China, this article considers the unprecedented spate of self-immolation-by-fire protests among Tibetans in light of the military crackdown on Tibetan unrest beginning in 2008. The author takes a performative approach to Tibetan self-immolation protest as a new and deeply contested genre of mass media in the context of severe state repression. The author argues that such an approach accounts for the always unresolved yet socially and politically constitutive meaning and efficacy of dead bodies in a necropolitics particular to modern Sino-Tibetan relations.

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