The version presented here may differ from the published version or, version of record, if you wish to cite this item you are advised to consult the publisher's version. Please see the 'permanent WRAP url' above for details on accessing the published version and note that access may require a subscription.

Classified is a fascinating account of the British state's long obsession with secrecy and the ways it sought to prevent information about its secret activities from entering the public domain. Drawing on recently declassified documents, unpublished correspondence and exclusive interviews with key officials and journalists, Christopher Moran pays particular attention to the ways that the press and memoirs have been managed by politicians and spies. He argues that, by the 1960s, governments had become so concerned with their inability to keep secrets that they increasingly sought to offset damaging leaks with their own micro-managed publications. The book reveals new insights into seminal episodes in British post-war history, including the Suez crisis, the D-Notice Affair and the treachery of the Cambridge spies, identifying a new era of offensive information management, and putting the contemporary battle between secret-keepers, electronic media and digital whistle-blowers into long-term perspective.

This article represents the first major analysis of the appearance of the U.S. Central Intelligence Agency (CIA) in the James Bond novels of British spy fiction writer Ian Fleming. The article shows that Fleming was remarkably influential during the early Cold War in establishing the public profile of the CIA. The novels, which include manifold references to the agency and its staff, were published at a time when the CIA kept out of the public limelight and when other cultural forms, including Hollywood, refrained from making too much fanfare about intelligence matters. Drawing on recently declassified material, including the papers of fabled CIA Director Allen Dulles, the article demonstrates that the agency took a keen interest in Bond, even drawing inspiration from his adventures and the novels' depictions of technology.

All statements of fact, opinion, or analysis expressed in this article are those of the author. Nothing in the article should be construed as asserting or implying US government endorsement of its factual statements and interpretations.

A note on versions:The version presented here may differ from the published version or, version of record, if you wish to cite this item you are advised to consult the publisher's version. Please see the 'permanent WRAP url' above for details on accessing the published version and note that access may require a subscription.For more information, please contact the WRAP Team at: wrap@warwick.ac.uk