There has been considerable recent debate about whether Kant's account of intuitions implies that their content is conceptual. This debate, however, has failed to make significant progress because of the absence of discussion, let alone consensus, as to the meaning of 'content' in this context. Here I try to move things forward by focusing on the kind of content associated with Frege's notion of 'sense (Sinn)', understood as a mode of presentation of some object or property. I argue, first, that Kant takes intuitions to have a content in this sense, and, secondly, that Kant clearly takes the content of intuitions, so understood, to be distinct in kind from that possessed by concepts. I then show how my account can respond to the most serious objections to previous non-conceptualist interpretations.

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I argue for a new delimitation of what Kant means by 'cognition [Erkenntnis]', on the basis of the intermediate, transitional place that Kant gives to cognition in the 'progression [Stufenleiter]' of our representations and our consciousness of them.I show how cognition differs from mental acts lying earlier on this progression-such as sensing, intuiting, and perceiving-and also how cognition differs from acts lying later on this progression-such as explaining, having insight, and comprehending. I also argue that cognition should not be confused with 'knowledge [Wissen]', insofar as knowledge represents the culmination of a separate orthogonal progression of acts of 'holding-true'. Along the way, I show how having in focus the specific progression from representation, to consciousness, to cognition (and beyond) allows us to better appreciate the architectonic significance of the progression of Kant's analysis in the first Critique (and beyond), and also helps to illuminate the unity of Kant's account of cognition itself across its variety of (empirical, mathematical, philosophical) forms.

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