The use of lithium fluoride ͑LiF͒ crystals and films as imaging detectors for EUV and soft-x-ray radiation is discussed. The EUV or soft-x-ray radiation can generate stable color centers, emitting in the visible spectral range an intense fluorescence from the exposed areas. The high dynamic response of the material to the received dose and the atomic scale of the color centers make this detector extremely interesting for imaging at a spatial resolution which can be much smaller than the light wavelength. Experimental results of contact microscopy imaging of test meshes demonstrate a resolution of the order of 400 nm. This high spatial resolution has been obtained in a wide field of view, up to several mm 2 . Images obtained on different biological samples, as well as an investigation of a soft x-ray laser beam are presented. The behavior of the generated color centers density as a function of the deposited x-ray dose and the advantages of this new diagnostic technique for both coherent and noncoherent EUV sources, compared with CCDs detectors, photographic films, and photoresists are discussed.

A technique using soft x-rays and extreme ultraviolet light generated by a laser-plasma source has been investigated for producing low-dimensionality photoluminescent patterns based on active color centers in lithium fluoride (LiF) crystals. Strong visible photoluminescence at room temperature has been observed in LiF crystals from fluorescent patterns obtained by masking the incoming radiation. This technique is able to produce colored patterns with high spatial resolution on large areas and in short exposure times as compared with other coloration methods.

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We discuss the potentially misleading effect of software techniques for elaborating low-contrast images. In particular, we present the example of the stains embedded into one of the most studied archaeological objects in history, the Shroud of Turin. We show for the first time that image processing of both old and recent photographs of the Shroud may lead some researchers to perceive inscriptions and patterns that do not actually exist, confirming that there is a narrow boundary between image enhancement and manipulation.