The transformation of Indang dance aims to create Indang dance creations in the form of entertainment as a market leader in the entertainment arts industry and a source of economy for the people of South Solok Regency. Related to this, it is necessary to create a new form of work for entertainment purposes, with the aim of being able to sell and seize the market for the entertainment performing arts industry, which has aesthetic and economic value in Solok Selatan and West Sumatra in general. This research method designed in the form of a qualitative research. Furthermore, this study is aimed to analyze the form of Indang Tagak Dance for entertainment. It is conducted through FGD (Focus Group Discussion) and many experts perspective. In another aspect, this research also uses a multi-disciplinary approach to dance composition, music and choreography (dance creation) as well as a performance artistic approach. The results of the study consisted of three parts; first, describing the Indang Tagak traditional dance which consisted of 16 articles and 65 motifs. Second, designing and imagining the entertainment Indang Dance model by taking 9 articles and 10 motifs from the Indang Tagak traditional dance to be used as a basis for developing movement of Indang dance. In the development of the Indang dance performance model, the entertainment shows 3 dance structures consisting of 3 dance parts, 14 types of movements and 44 motives. After the formation of the indang entertainment dance model, it was disseminated in the community as it was performed at weddings and school events.

It is difficult for a class teacher to teach dancing course at school, because they find it very difficult to find the movements that will be knitted. These prolonged complaints will not end if there is no effort to always try and do something that is very possible to be done by class teachers. Dancing properties can be used as a source of inspiration in finding motion through the exploration process. The properties are those that are resulted by the children's handicrafts that are taught in handicraft materials, for example making fans from origami paper, cigarette ashtrays from shells, kites and so on. The teacher guides students to make fan hand crafts with colorful paper, giving rise to the pattern and character of the color. Starting from the color character of the property, the teacher guides students to explore motion, so that they find motion motifs that are characterized by the color that is used as a medium for exploring motion. The forms of motion motifs that appear are the result of exploration supported by the knowledge, observation, appreciation, and imagination of children which are expressed through motion that comes from the handicrafts/property of the child himself. Furthermore, the teacher and the children collaborate to try to arrange these motion motifs in a series of dances that can be done without coercion, but are fun and carried out with a play approach. On the other hand, shell as a result of the handicraft is able to be used as an inspiration for exploring motion, and it can also function as a property in dance, so that a series of fan dances and shell dances is formed.

This article aims to bring back the original clothing as elements of the Galombang dance in the reconstruction of the Pariangan village, Tanah Datar district, West Sumatra. The reconstruction was carried out because there were several elements of this dance equipment that had not been used for a long time, including the clothing according to what was in this dance. For this reason, its existence needs to be explored, namely how the form and use of the original clothes are really in accordance with what is in this dance. For this purpose, qualitative research approaches and types have been used with data collection techniques; interviews, observations and video recordings. Based on this method, it is found that the original materials and ways of using the clothes in this Galombang dance are characteristic of this dance outfit.

Tujuan penelitian ini adalah untuk menjelaskan serta mendeskripsikan sistem Manajemen Seni Pertunjukan di Sanggar Sarai Sarumpun dalam Industri Seni Pertunjukan di Kota Padang. Jenis penelitian ini adalah penelitian kualitatif dengan menggunakan metode deskriptif. Instrumen penelitian ini adalah penulis sendiri dan dengan menggunakan instrumen pendukung seperti alat tulis dan kamera. Jenis data menggunakan data primer dan data sekunder. Pengumpulan data dilakukan melalui studi kepustakaan, observasi, wawancara dan dokumentasi. Penganalisaan data dilakukan dengan mengumpulkan data, mendeskripsikan data dan menyimpulkan data. Hasil penelitian menjelaskan manajemen Sanggar Sarai Sarumpun memiliki perencanaan dengan membuat program-program yang akan dilaksanakan dengan persiapan perlengkapan dan latihan. Pengorganisasian sanggar dilakukan dengan membuat struktur pengurus berbentuk lini. Pengorganisasian dilakukan dengan  menetapkan tugas dan wewenang pengurus sementara penggerakan anggota sanggar dilakukan dengan melaksanakan pemberian motivasi, bimbingan pada tujuan yang ditetapkan. Pengawasan internal dilakukan secara langsung maupun tidak langsung, pengawasan eksternal dilakukan dengan evaluasi kegiatan. Sanggar Sarai Sarumpun mempunyai rumah produksi yang memproduksi dan mengelola tari, musik, malam bainai, dan babako. Manajemen pemasaran dari Sarai Sarumpun juga mengikuti perkembangan zaman. Sanggar Sarai Sarumpun sudah terdaftar di Dinas Pariwisata dan bekerja sama dengan dinas tersebut. Manajemen pengelolaan organisasi yang dipilih oleh Sanggar Sarai Sarumpun menunjukan manajemen demokrasi.

This article aimed to revive the use of Siriah Gadang in the reconstruction of the Galombang dance in Nagari Pariangan, Tanah Datar district, West Sumatra. Siriah Gadang is one of the important elements of equipment in the presentation of this Galombang dance. To achieve this goal, qualitative research was used, through interviews and observations using video recordings. The results showed that the uniqueness of Siriah Gadang was found in a reconstruction of the Galombang dance in the Pariangan village. Siriah Gadang is a dance element that does not exist in other Galombang dances in West Sumatra, so it is a characteristic of this dance. Keywords: Siriah Gadang, Galombang dance, reconstruction