The ngediyo performance is the development of the form of the ngediyo procession that produces elements of novelty from the aspect of style, taste, and meaning of a literary work. This process is what brings dance performances while writing literature. The study in this paper discusses the form of ngediyo performances from the aspect of motion, floor patterns, musical accompaniment, property, makeup, and clothing using qualitative methods with an interdisciplinary approach. The concept developed is based on the implementation of ngediyo in a series of begawi cakak pepadun events. The ngediyo show is danced by mekhanai and muli with a series of movements adapted from cangget movements. Oral literature in the ngediyo procession is called burdened. The poetry in the ngediyo march is in Lampung dialect O with the typical speech of the Abung Siwo Migo community. The motion structure presented in the ngediyo performance is divided into three parts: the beginning, the core, and the end. This dance is accompanied by musical instruments talo balak, tambourine and gambus with dancers wearing muli and mekhanai clothes. The property used is symbolized as a kandang rarang.