The success of an educational institution is heavily based on instructors’ occupational satisfaction and their happiness at their workplace. Therefore, determining the case of the instructors’ wellbeing in order to improve working standards is really important to sustain high quality in education. In this sense, this study set out to identify state of academicians in terms of their level of burnout, vigor and occupational satisfaction at a department of Fine Arts Education at Uludag University. All 42 academician participants attended the study. To determine the level of burnout and vigor, Shirom-Melamed Burnout Measure was employed, and to learn participants’ occupational satisfaction levels, a questionnaire developed by authors was used. The results show that burnout and vigor have negative correlation and occupational satisfaction has negatively correlated with emotional exhaustion, which is a sub-dimension of burnout but positively correlated with physical strength, which is a sub-dimension of vigor. Moreover, it is determined that the academicians who go to the doctor less frequently have higher occupational satisfaction and the academicians who are facing health issues have higher level of burnout. The results confirm that health status significantly affects one sub-dimension of burnout, which is physical fatigue.

<span lang="EN-US">Democracy, a lifestyle as much as it is a form of government, begins to be learned in the family. The youth observe and acquire the democratic attitudes of their parents. The task of passing it on to the new generations and helping them acquire democratic values is the mission of schools, namely teachers. It is a commonly known fact that developmental level of countries shows parallelism with the democratic attitudes of individuals. It is important to understand the democratic perceptions and attitudes of teachers who are responsible for positioning democratic structure and thus raising the democratic level of countries. For this reason, the research aims to examine the democratic perceptions and attitudes of music teacher candidates in terms of some variables. Data collected using the democratic attitude scale were analyzed using t-test, Kruskal-Wallis H test, and Spearman’s correlation coefficient. Results showed that attitude scores did not change according to gender, level of parents’ education or the year students were in. Scale scores were negatively correlated with the amount of parents’ income. There was no correlation between the students’ GPAs and the scale scores. Music teaching requires a democratic environment intrinsically; therefore, the democratic perceptions and attitudes of the music teacher candidates who will carry out the music lessons in which they should maintain the democratic environment must be determined. As aforementioned notions suggest, this study is of the essence since the results will shed light on the academic staff in the institutions that train music teachers.</span>

Ear training and musical literacy (ETML) education is one of the main dimensions of the bachelor degree program of music teacher education departments, which provides professional music education. In ETML education, hearing, sight-reading and dictation studies for Turkish music makams have an important place. In this study, it was aimed to investigate the effects of different instrument sources and tuning systems; namely, equal tempered or traditionally tempered, on the modal dictation performances of students in dictation exercises in the scope of ETML education. This research was conducted with 56 bachelor degree music education students who were taking ETML course. While equal tempered and traditional instruments (piano and kanun) were used as the sound source in the research, examples of equal difficulty level in Huseyni makam scale, which is one of the main makams of Turkish music, were used as dictation material. Both instruments were tuned in accordance with both the equal temperament and the traditional makam system so that four different dictation types were created. As a result of the research, it has been determined that the students are more successful when piano is used in dictation than kanun-dictated trials and in terms of tuning system, the students are found to be more successful with equal tempered system when compared with traditional tuning system. The instrument and tuning interaction was not statistically significant.

This research is aimed to determine the effects of piano education on the attention skills of 7-12-yearold children. In the research, pretest-posttest control group design is used, and attention skills of both of the groups are measured before and after the experiment. Unlike the control group (n=53), the experimental group (n=46) had private piano education an hour a week for 14 weeks with a tutor, and as a result of the cooperation with the parents, the students practised the piano on their own at home. For collecting data, 4 stage Stroop Colour-Word Test is used. In analysing the data, SPSS 23.0 packaged software and 2x2 mixed ANOVA's are used. Independent factors are determined as group (piano lesson group and control group) and time (pretest-posttest). Dependent variables are reading black and white (RBW), name the colour of the square patches (NCS), reading the coloured words (RCW) and saying the colours of the coloured words (SCCW). Different ANOVA's are used for each dependent variable. In the study, in all the applied sections, it was seen that the reading time of the children who have been having piano education has shortened and their attention skills have been improved. Nevertheless, especially in 'Name the Colour of Square Patches' and 'Reading the Coloured Word' tests results it was seen that, children having piano education have improved their attention skills statistically more than the children who are not having piano education. Children having piano education are considered to be more careful about the aliasing effect and their perception to be improved.

In this study, the self-efficacy and motivation of Zeki Muren Fine Arts High School piano students were examined based on different variables as well as the reasons for their failure. The data on their selfefficacy were obtained through self-efficacy scale of piano performance and the data on their motivation were obtained through motivation scale in piano education. 'The Questionnaire of Reasons for Failure in Piano Education' was carried out in order to obtain students' perspective of their failure. The data were examined through t-test, Mann-Whitney U test, one way ANOVA and Pearson Correlation via SPSS 23.00. Students' thoughts about their failure in piano performances were reported as frequency and percentage. This study reveals the fact that students' motivation towards piano education (with its sub-dimensions; interest in and willingness to play piano and motivational factors in the piano learning process) and their self-efficacy (with its sub-dimensions; perception of technical level and perception of performance) tend to fall after 10 th grade when the class level advances from 10 th to 12 th . Moreover, achievement grade, motivation and self-efficacy are positively correlated. Although not statistically significant, there are some additional striking results. For instance, male students can overcome stage fright more easily than female students; male students consider themselves more proficient in terms of technical level than female students. Additionally, boarding students have more trouble in managing their stage fright compared to other students, and the students who have musicians in their families perceive their technical skills to be higher than students who do not. Since all possible students were included, this study aims to express the current situation in Zeki Muren Fine Arts High School. However, considering the effect sizes of those findings, this study should be replicated with a larger sample size to get statistically significant results.