Background: This study examines the global media framing of coronavirus disease 2019 (COVID-19) to understand the dominant frames and how choice of words compares in the media. Periods of health crisis such as the outbreak of coronavirus pandemic add to the enormous burden of the media in keeping people constantly informed. Extant literature suggests that when a message is released through the media, what matters most is not what is said but how it is said. As such, the media could either mitigate or accentuate the crisis depending on the major frames adopted for the coverage. Methods: The study utilises content analysis. Data were sourced from LexisNexis database and two websites that yielded 6145 items used for the analysis. Nine predetermined frames were used for the coding. Results: Human Interest and fear/scaremongering frames dominated the global media coverage of the pandemic. We align our finding with the constructionist frame perspective which assumes that the media as information processor creates ‘interpretative packages’ in order to both reflect and add to the ‘issue culture’ because frames that paradigmatically dominate event coverage also dominate audience response. The language of the coverage of COVID-19 combines gloom, hope, precaution and frustration at varied proportions. Conclusion: We conclude that global media coverage of COVID-19 was high, but the framing lacks coherence and sufficient self-efficacy and this can be associated with media’s obsession for breaking news. The preponderance of these frames not only shapes public perception and attitudes towards the pandemic but also risks causing more problems for those with existing health conditions due to fear or panic attack.
Background: Part of the role of the media is to report any issue affecting the society to the masses. Coronavirus has become an issue of transnational concern. The importance of the media in the coverage of coronavirus disease 2019 (COVID-19) in Nigeria and its implications among Nigerian populace cannot be overestimated. This study evaluates how Nigerian media depict the coronavirus pandemic and how the depictions shape people’s perception and response to the pandemic. Methods: The study employed a quantitative design (newspaper content analysis and questionnaire). The content analysis examines the nature of media coverage of coronavirus in Nigeria and China using four major national newspapers (The Sun, The Vanguard, The Guardian and The Punch). The period of study ranged from January 2020 to March 2020. A total of 1070newspaper items on coronavirus outbreak were identified across the four newspapers and content-analysed. Results: The finding shows that the coverage of the pandemic was dominated by straight news reports accounting for 763 or (71.3%) of all analysed items. This was followed by opinions 169(15.8%), features 120 (11.2%) and editorials 18 (1.7%) respectively. The Punch 309 (28.9%)reported the outbreak more frequently than The Sun 266 (24.9%), The Guardian 258 (24.1%), and Vanguard 237 (22.1%). Finding further suggests that the framing pattern adopted by the newspapers helped Nigerians to take precautionary measures. Conclusion: Continuous reportage of COVID-19 has proved effective in creating awareness about safety and preventive measures thereby helping to ‘flatten the curve’ and contain the spread of the virus. However, the newspapers should avoid creating fear/panic in reporting the pandemic.
Online newspapers have become one of the leading hubs for information disemination especially with the advent of web 2.0. Internet penetration in Nigeria has also contributed immensily in making diferent news contents avaliable on the web. Many people now depend on their smart phones, laptops and tablets to access news from the internet. Articles in online newspapers on COVID-19 are shared social media platforms such as Facebook, Twitter, WhatsApp, Instagram, Telegram amongst others, making newspapers frame issues of public importance determines the level of knowledge of online news consumers and their perception of the issues. This study investigates how three online newspapers framed the outbreak of COVID-19 pandemic in Nigeria. Anchored on Frame Analysis Theory, the study also employs Relational Content Analysis as its design. Finding shows that fear and death, government and/political influence, and palliative frames emerged as the dominant frames across the three online newspapers-Sahara Reporters, Premium Times and Daily Post studied for three months.The implication of this finding is that online newspapers reported COVID-19 outbreak in ways that made the audience jittery before the eventual outbreak of the pandemic. The study recommends that online newspapers should harp more on palliative as against fear and death frames in reporting any health emergancy in the future.
Purpose This paper aims to explore how regional organizations manage its affairs, peace-building and economic development focussing on a crucial analytical dimension: the link between global order, regional integration and multi-culturally diverse stakeholders. Design/methodology/approach This conceptual paper focusses on the Economic Community of West African States (ECOWAS) by grounding the arguments based on the conceptualization of regional integration and “stakeholder management”. It offers an exploration of concepts of the “new global order”, “multilateralism”, “institutions”, effective stakeholder collaboration and cross-cultural management. Findings Defined in terms of EU-style institutionalization’ ECOWAS is one of the modes of regionalism classified as failed. The organization has struggled with the member-states internal crisis, inter-state border crisis, a growing army of unemployed youths, high political-instability, militant terrorism, cybersecurity and farmers-herders conflict. Also, it has a poor implementation of treaties and poor cultural communications. Originality/value Besides contributing to the emerging interest in the understanding of how regional organizations improve organizational efficiency, this study develops an interest in stakeholder management from the perspective of political, economic and peace-building organizations with different national, cultural and political experiences.
Although the dominant narrative among Africans is that Western media portray Africa in a one-sided and negative way, this belief is being challenged as a result of the intervention of the BBC’s Africa Eye documentaries. Although the series focuses on the dark side of Africa, it succeeds in revealing, in great detail, hidden stories about Africa, particularly Nigeria, of which many citizens were ignorant. As such, negative coverage may help to correct social anomalies and chart a way forward for correcting them. This development is a game-changer that has restored Nigerian audiences' confidence in Western media.
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