In order to tell stories in different voices for different audiences, interactive story systems require: (1) a semantic representation of story structure, and (2) the ability to automatically generate story and dialogue from this semantic representation using some form of Natural Language Generation (nlg). However, there has been limited research on methods for linking story structures to narrative descriptions of scenes and story events. In this paper we present an automatic method for converting from Scheherazade's story intention graph, a semantic representation, to the input required by the personage nlg engine. Using 36 Aesop Fables distributed in DramaBank, a collection of story encodings, we train translation rules on one story and then test these rules by generating text for the remaining 35. The results are measured in terms of the string similarity metrics Levenshtein Distance and BLEU score. The results show that we can generate the 35 stories with correct content: the test set stories on average are close to the output of the Scheherazade realizer, which was customized to this semantic representation. We provide some examples of story variations generated by personage. In future work, we will experiment with measuring the quality of the same stories generated in different voices, and with techniques for making storytelling interactive.

It is widely agreed that the interaction possibilities in interactive narrative are limited by the current approach to dialog creation, which typically relies on teams of scriptwriters. This paper reports on experiments testing whether authorial leverage can be increased by methods for natural language generation of dialog in a story world called Heart of Shadows. Our experiments show that (1) expert writers spend less time authoring dialogue variations by editing automatically generated content than creating it from scratch and (2) expert writers are more critical of automatically generated dialogue than amateur writers.