This paper calls into question the context in which artistic production related to industrial history may enter art official narratives. Drawing on the examples of the Voltron sculpture series by David Smith (1962); Yvonne Rainer's performance Carriage Discreteness (1966) and Stuart Brisley's work at the Hille Fellowship Poly Wheel factory (1970), I will propose that observing the production of artworks within industrial environments implies a twofold commitment for art history. On the one hand, investigating artworks relying on industrial materials and production modes calls for the analysis of the "concrete and direct evidence" that materials provide (DidiHuberman, 2015;Domínguez Rubio, 2012). On the other, they invite consideration of informal archives and "suspect evidence" related to the tacit knowledge of production, subjective self-documentation and oral history (Rosnow and Fine, 1976).Seen from this perspective, artists' production in the context of industrial culture and workers' practices of self-managed time both contribute another point of view on how the inscription within the realm of high and low culture is done in art history. At a time when contemporary artistic and curatorial practices show a renewed interest in "outsiders'" artefacts, the different work models and modes adopted by the proposed case studies enable a reading of potential art historical narratives through the lens of working-class studies and the contemporary material turn.Keywords factory culture, pérruques, contemporary art history and the material turn, process-based production

7 e triennale de l'art imprimé contemporain, Musée des beaux-arts du Locle (Suisse). 26 septembre 2010-13 février 2011.

Kelahiran bayi merupakan momen  bahagia yang ditunggu-tunggu dan diharapkan oleh  setiap keluarga, terutama bagi seorang ibu. Pada kegiatan PkM tersebut dilakukan pula evaluasi kepuasan mitra terhadap pelaksanaan kegiatan. Menurut hasil penelitian (Andriani, 2012), dari 20 ibu, 13 ibu (65%), memiliki kemampuan cukup dalam memandikan bayi, dan  hanya 7 ibu (35%) yang memiliki kemampuan baik dalam memandikan bayi. Menurut hasil penelitian (Impartina,  2016). Responden terdiri dari peserta PkM kader kesehatan dan mitra sejumlah 28 orang.   Hasil 57% menyatakan puas dan 39% sangat puas karena kegiatan PkM merespon kebutuhan mitra. Dari aspek kemanfaatan kegiatan PkM,  39%  responden menyatakan puas dan 61% menyatakan sangat puas.

No abstract