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This is a review of three books: a collection of essays edited by Diane Watt on medieval women in their communities, and two monographs, by Jeffrey F. Hamburger and Marilyn Oliva, on nunneries in late medieval Germany and England. All three suggest in different ways that women's activities are regularly undervalued by the assumption that women try to do the same things as men, and fail. Hamburger argues that the artistic production of late fifteenth‐century nuns has been dismissed because it does not satisfy the criteria of (male) ‘high’ art. He shows that ‘nuns' work’ is in fact the product of a complex symbolic visual and textual culture. Oliva argues that the study of nunneries has been neglected because it is assumed that, since they were not rich and powerful like the monasteries, there is no evidence about them. She shows that it is possible to undertake a detailed prosopographical study of a group of nunneries from a single diocese. I argue that when in this context we talk about ‘women’, we are often in fact talking about the domestic sphere, with which women were so strongly associated. A revaluation of women's activities entails a revaluation of domesticity and the home.