'A proper woman, in the African tradition': The construction of gender and nationalism in Wangari Maathai's autobiography Unbowed This article discusses how Wangari Maathai's life experiences narrated in her autobiography Unbowed offers an opportunity for discussing the contradictions surrounding the perception, place and identity of women in African politics. Against the backdrop of gendered nationalism which glorifies the role and place of women in the construction of nations, the article presents a different reality of how some male leaders of postcolonial nation states like the Kenyan example, silences the voices of women politicians by urging them to behave like 'proper women'. Maathai's autobiography demonstrates that the social construction of womanhood in African politics is influenced by socio-cultural and patriarchal ideologies that construct the ideal African woman as the docile one, the one who does not question male authority. Maathai's autobiography becomes a lens that can be used to view and question the social construction of womanhood versus manhood and the influence on gender power relations on women's participation in the politics of the postcolonial nation states in Africa.

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The limitations of conventional accounts of security and peacebuilding drawing upon the ‘expert’ knowledge of military elites, policymakers and civil society representatives have been widely recognized. This has led security and peacebuilding policymakers, including through the United Nations Women, Peace and Security agenda, to search for alternative forms of knowledge, such as memoirs, photographs or oral histories, that better reflect lived experiences within local communities. Building on existing work on memoirs as knowledge production artefacts and on feminist security studies, this article demystifies experiential security knowledge through an analysis of three memoirs written by women ex-combatants in Uganda. We argue that while the memoirs offer complex and contradictory narratives about women ex-combatants, they are also the products of transnational mediated processes, whereby the interests of power translate complex narratives into consolidated representations and sturdy tropes of the abducted African woman ex-combatant. This means that although the three memoirs provide some hints as to transformative ways of thinking about security and peace, and offer dynamic accounts of personal experiences, they also reflect the politics of dominant representational practices.