Prehispanic settlements in the LowerEvery July 16, the people from the small town of Chavín de Huántar in Ancash, Peru, celebrate the Virgen del Carmen festival. A clear fusion between Catholic and Andean beliefs, the Virgen del Carmen celebration is a well-organized event that involves the entire community. Typically, two sponsors (mayordomos) are in charge of organizing the festivities, which include the procession of the Virgen (figure 1.1), a mass at the local church, a live music band, a potluck meal, and bullfighting. To prepare for this event, the community is divided to partake in particular activities, such as preparing chicha (a traditional alcoholic corn beverage), baking special breads, and sacrificing pigs and chickens for consumption. Some of the classic Andean principles of reciprocity, community, and duality can be seen during this celebration (Murra 1975; Rostworowski de Diez Canseco 2001). Locals and visitors clearly enjoy these days of praying, dancing, eating, drinking, and fireworks. The Virgen del Carmen festival coincides with the beginning of the harvest season, the most important time in the agricultural cycle for farming communities. The celebrations, however, also renew ties with Catholic figures by attending mass, praying, and participating in the colorful procession while also strengthening relationships among local townspeople who must work together in preparing the food (e.g., meat, bread, and alcohol) for public consumption. Ethnographic and ethnohistoric studies have shown that the interplay of customary and collective actions among humans and 4 SI LVANA A. ROSENFELD AND ST EFANI E L. BAU T ISTA between humans and non-humans or supernatural agents, through the ritual mixture of Catholicism and indigenous practices, has been central to many communities in both South America and Mesoamerica (e.g., Nutini 1988; Rostworowski de Diez Canseco 1992). This volume seeks to highlight, from different archaeological perspectives and contexts across the Andes, how ritual affected or was affected by the diverse groups of peoples in this region.The practice of ritual across time has long fascinated anthropologists, as it can highlight some of the most integral, emotive, and elaborative practices of human life. The study of ritual can demonstrate the interconnections among the various aspects of society, such as religion, politics, and economy. Though ritual has long been important to anthropologists (e.g., Bastien 1978; Bolton 1979; Flores Ochoa 1977; Geertz 1973; Rappaport 1999;Turner 1967), archaeologists have only more recently recognized the importance of studying ritual and its role in past societies (e.g., Bauer and Stanish 2001; Benson and Cook 2001; Kyriakidis 2007). Ritual is now considered a major component in the development of some ancient sociopolitical systems, as it aided in their creation, maintenance, and change (DeMarrais, Castillo, and Earle 1996; Marcus and Flannery 2004; Pauketat et al. 2002).While there have been discussions of how different archaeological frameworks ...
This article investigates the mechanisms by which different communities were articulated during the Late Intermediate period (ca. AD 1000–1450) in the Río Grande de San Juan Basin, also called the Chicha Region, located in the border region of Bolivia and Argentina. Through analyses of systems of pottery production, circulation, and consumption, we examine interaction networks, social integration, and alliance building at a regional level. Yavi-Chicha pottery from two sites in the Chicha Region—Chipihuayco, in the Talina Valley (Bolivia), and Finispatria, in San Juan Mayo (Argentina)—provide key insights into regional integration and constellations of practice through their localized technological style and shared consumption strategies. This study reveals that people of Finispatria incorporated the entire Yavi-Chicha-style household assemblage—partly produced in Chipihuayco, partly in Finispatria, or partly at some unknown location—into their everyday lives. We argue that the entire household ceramic repertoire of the study region played a fundamental and socially integrative role as it circulated across the region.
ResumenSe analizan los materiales alfareros de estilo yavi provenientes de distintos sectores de la provincia de Jujuy (Argentina). Nuestro objetivo inmediato es mostrar la variación espacial y temporal de este estilo en sectores lindantes a los de su supuesto origen. Las evidencias que empleamos son piezas cerámicas completas correspondientes a esta entidad que se encuentran distribuidas en diversas colecciones de instituciones y museos de Argentina. Como fin último, buscamos reflexionar sobre la dinámica de las interacciones sociales que generaron el traslado de materiales alfareros tanto a distintos lugares como en distintas épocas.Palabras claves: estilo yavi -alfarería -circulación -interacciones sociales.Abstract Our analysis of yavi style ceramics from different sectors of the Province of Jujuy (Argentina) aims to show this style' s spatial and temporal variability in areas surrounding its supposed place of origin. Evidence provided by Yavi vessels kept in different argentinian collections finally leads us to discuss the dynamics of social interaction involved in the circulation of ceramics in different places and periods.
El color es una de las vías mediante la cual el mundo (cosas, personas, lugares) se incorpora sensiblemente a la práctica social. Actualmente, los modos de abordar la variación cromática desde la arqueología se han basado en mediciones con la Carta Munsell de colores tierra, o análisis físicos y químicos de pigmentos. Pero si nuestro objetivo es reincorporar el color a la experiencia de las personas, tendremos que analizarlo con relación al lugar que ocupa en situaciones reales. Por ello trabajaremos a partir de los fenómenos perceptivos que produce la relación entre colores, proponiendo así nuevas herramientas metodológicas para el tratamiento de materiales arqueológicos. POLYCHROME ARCHAEOLOGY. COLOR USE AND CHOICE IN PLASTIC ART EXPRESSIONSNuestra propuesta en este trabajo es centrar la atención en el color de los objetos en el pasado. ¿Por qué? Porque el color es una de las vías fundamentales mediante las cuales el mundo (las cosas, las personas) se incorpora "sensiblemente" a la experiencia y, a través de ella, a la práctica social. Bajo esta premisa, es importante tener en cuenta los fenómenos perceptivos que unen los objetos coloreados a los actores. Considerar algunos de estos aspectos sensitivos nos permitirá poner de relieve la experiencia del color.Vivimos en un mundo con elecciones cromáticas permanentes. Un mundo "coloreado", siendo el color tanto el fondo como el marco de la experiencia vivida. Si todo está imbuido por el color, ¿por qué la elección de algunos es más importante que la de otros? ¿Cómo operan ciertos colores en el desarrollo de las prácticas sociales? ¿Bajo qué criterios se eligen? ¿Qué hace que algunos tengan más "protagonismo" que otros? La creación y el uso de una paleta entraman diversas prácticas que le dan valor a la tonalidad, desde el proceso de extracción y producción (a través de una combinación de minerales, agua y elementos biológicos), pasando por el uso, la circulación y el consumo. De este modo, los colores, a lo largo de su historia de vida, suponen múltiples prácticas y encuentros con lo material (material engagements), configurando así una red social y de sentido que involucra personas, objetos, acciones, gestos, momentos y lugares.* Florencia Ávila, ConiCet-inAPL, 3 de febrero 1378,
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