Social protest takes on new characteristics today, mediated by the use and appropriation of digital technologies. Citizens make use of devices as a central part of the mechanics of the protest, incorporating digital strategies into their repertoire of collective action. One of these uses highlights the centrality of the new screens for the defense of Human Rights, through the recording, publication and spreading the abuses of repressive forces and the montage of fake news through social media. A citizen's capacity to watch over the watcher. Due to its duration and characteristics, the case of the protests that began in October 2019 in Chile is a paradigmatic case from which to study these transformations.

El radiodrama es una familia de géneros que utilizan los elementos del lenguaje radiofónico para contar historias. No solo se trata de radioteatro y no solo se habla del pasado. Las distintas formas del radiodrama se resignifican en el presente, con nuevos roles y nuevas posibilidades. Sus características técnicas, narrativas y subjetivas, se suman a las potencialidades que brindan las tecnologías de la información y la comunicación. Hoy existen en América Latina ejemplos que confirman que es posible producir contenidos innovadores, creativos, entretenidos, que consideren a las TIC como una herramienta a favor, y que contemplen sus roles sociales y la producción independiente. Estas experiencias permiten augurar un futuro promisorio para el género y una nueva época para la radio. Reflexionaremos sobre sus características y alcances.Radiodrama is a family of genres that uses radio language elements for storytelling. We don't talk only about radioplays, or about the past. Today, the many forms of radiodrama got new roles and new posibilities. This article is about its techniques, narratives and particular characteristics, in addition to the potential offered by information and communication technologies. Nowadays in Latin America there are many examples confirming that it is possible to produce innovative, creative and entertaining content, which use ICT as a tool to foster production posibilities, and which contemplates its social role and independent production. These experiences foretell a promising future for the genre and a new era for the radio. Here we will reflect on this gender, its characteristics and scope.

Argentina"Trabajo original autorizado para su primera publicación en la Revista RIHUMSO y su difusión y publicación electrónica a través de diversos portales científicos"