Fractal image compression is a technique based on the representation of an image by a contractive transform, on the space of images, for which the fixed point is close to the original image. This broad principle encompasses a very wide variety of coding schemes, many of which have been explored in the rapidly growing body of published research. While certain theoretical aspects of this representation are well established, relatively little attention has been given to the construction of a coherent underlying image model that would justify its use. Most purely fractal-based schemes are not competitive with the current state of the art, but hybrid schemes incorporating fractal compression and alternative techniques have achieved considerably greater success. This review represents a survey of the most significant advances, both practical and theoretical, since the publication of Jacquin's (1990) original fractal coding scheme.

Abstract. Two planar mirrors are positioned to show five views of an object, and snapshots are captured from different viewpoints. We present closed form solutions for calculating the focal length, principal point, mirror and camera poses directly from the silhouette outlines of the object and its reflections. In the noisy case, these equations are used to form initial parameter estimates that are refined using iterative minimisation. The self-calibration allows the visual cones from each silhouette to be specified in a common reference frame so that the visual hull can be constructed. The proposed setup provides a simple method for creating 3D multimedia content that does not rely on specialised equipment. Experimental results demonstrate the reconstruction of a toy horse and a locust from real images. Synthetic images are used to quantify the sensitivity of the self-calibration to quantisation noise. In terms of the silhouette calibration ratio, degradation in silhouette quality has a greater effect on silhouette set consistency than computed calibration parameters.

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