Drawing from the corpus of the twenty-four authors anthologised in Poeti italiani nati negli anni ’80 e ’90 (Latiano, Interno Poesia, 2019-2020), this work aims to give an account of the recurring themes and topics of these texts. The first two volumes of this anthology reveal, in spite of a rich formal differentiation and a variety of stylistic solutions, a strong concordance of themes and desire: thematically, these works betray an anxiety concerning the problem of the disintegration of the world, yet they also share in a desire for salvation, achieved by reconstituting oneself in an individual or communal space, through the specific means of poetry. Thus, the images of collapse and epidemic prevail, variously resolved in urban and peripheral contexts, equally opposed by repeated attempts of nostoi and a strong craving for light. This horizontal tendency seems to be the link through which to weave a broader generational discourse which transcends individual authors. A key for interpreting this discourse will be offered, in the second part of the paper, in the function of creative nostalgia.   A partire dal corpus dei ventiquattro autori presenti nell’antologia Poeti italiani nati negli anni ’80 e ’90 (Latiano, Interno Poesia, 2019-2020), questo lavoro si propone di focalizzare e mettere in relazione i nodi tematici ricorrenti nei testi. I primi due volumi di quest’antologia rivelano infatti, a dispetto di una ricca differenziazione formale e di soluzioni stilistiche, una forte concordanza tematica e desiderativa, laddove il tema riguarda soprattutto il problema della disgregazione del mondo e il desiderio la capacità di salvarsene, ricostituendosi in uno spazio individuale o comunitario grazie ai mezzi specifici del gesto poetico stesso. Prevalgono allora le immagini del crollo e dell’epidemia, variamente risolte in contesti urbani e periferici, a cui si oppongono altrettanto variamente ripetuti tentativi di nostoi e una fortissima e dilagante ansia di luce. Questa propensione orizzontale sembra a tutti gli effetti la maglia stretta su cui intessere un discorso generazionale più largamente inteso, un discorso che trascenda le singole istanze individuali. Una chiave di lettura per questo discorso verrà individuata, nella seconda parte dell’intervento, nella funzione della nostalgia creativa.

Background: The SARS-Cov-2 pandemic has presented numerous challenges to health systems. Exposure to stress scenarios by frontline workers has generated the exhaustion of this group as a response. Consequently, there was an increase in the incidence of Burnout Syndrome (BS) amongst these professionals. Objectives: Analysis of the correlation between BS in the healthcare professionals and the SARS-Cov-2 pandemic. Design and setting: Narrative literature review conducted by Centro Universitário de Mineiros, Campus Trindade. Methods: Articles selected from the PubMed and Scielo database between 2020 and 2021, with the descriptors “Burnout” AND “SARS-CoV-2”. 9 articles were analyzed. Results: The quantitative study carried out by the Jornal Brasileiro de Psiquiatria with 94 nursing technicians working in the SARS-CoV-2 pandemic indicated that 25% had BS (p ≤ 0.25). Another study carried out by the same magazine identified health problems as impaired mental health workers. The study was carried out with 123 professionals, using scores from the Self-Reporting Questionnaire, in which approximately 45% had a score compatible with BS (p <0.05). Amongst the causalities, the professionals’ lack of emotional preparation, extended shifts, limited resources, lack of access to updated information, disturbed sleep patterns, anxiety and depression stood out. The increase in these stressors during the pandemic exposed professionals to a greater risk of developing Burnout Conclusions: This study suggests a strong association between the SARSCov-2 pandemic and the development of BS among health professionals, emphasizing the importance of measures to minimize the impact on these professionals’ mental health.

L’articolo, di taglio tematico-comparativo e con un focus cronologico incentrato sulla produzione di autori nati negli anni Ottanta e Novanta, si propone di indagare le forme entro cui i testi poetici recenti rappresentano l’immaginario sociale, in particolar modo le posture del soggetto-poeta di fronte al suo pubblico e la funzione dello stesso rispetto al messaggio poetico. La seconda parte si concentra invece sul singolo caso di Ophelia Borghesan, un progetto di Luca Rizzatello e Angela Grasso.

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