This study aims to describe (1) Identify the characteristics of Ida Bagus Ketut Suta painting (2) Describe the theme of Ida Bagus Ketut Suta's painting (3) Describe the visual form of Ida Bagus Ketut Suta's painting using formal analysis methods. The subject and object of this research is the profile of Ida Bagus Ketut Suta with traditional paintings that have been made by Ida Bagus Ketut Suta. This research is a qualitative descriptive study, data collection in this study used the techniques of (1) observation, (2) interviews, (3) documentation, and (4) literature. The results of this study indicate that (1) The results of the visual identification mapping of Ida Bagus Ketut Suta's traditional paintings based on a comparison of several types of traditional wayang paintings in Bali, show that the results of his paintings have different characteristics from traditional paintings that developed in eastern Bali but are the result of the development of traditional paintings from Tabanan, namely the wayang kopang style painting, (2) The themes of several paintings that have been made by Ida Bagus Ketut Suta can be identified through formal analysis methods that are based on folklore Hindu, (3) formal visual analysis of forms from Ida Bagus Ketut Suta's painting, which is a form of wayang tradition painting that has its own characteristic and varied appearance.Keywords: traditional painting, Ida Bagus Ketut Suta

This research of the terracotta gandrung dancer statue in Banyuwangi, East Java is “rawat ruwat” site in the cultural tradition of the Banyuwangi community to describe (1) the history of terracotta gandrung dancer statue garden in Banyuwangi East Java, (2) the Value, Symbol as well as The meaning of gandrung dancer statue garden in Banyuwangi East Java, (3) the setting of gandrung dancer statue garden in Banyuwangi East Java, (4) Process And Technique of terracotta gandrung dancer statue in Banyuwangi East Java. The type of this study is descriptive qualitative. The object study is the terracotta gandrung dancer statue garden in Banyuwangi, East Java. The method of data collection is used observation, interviews, and documentation. The results of this study is as following: the history of the terracotta gandrung dancer statue is as a care site ruwat on culture Banyuwangi to change era. Symbols and the meaning on terracotta gandrung dancer statue is jejer, ngepren , seblang subuh and also the available makda clothes gandrung that is omprok , kelat bahu, pattern of gajah oling. Setting the garden statue terracotta gandrung dancer forms the latter T, forming circular, vertical or straight. Manufacturing process garden statue terracota gandrung dancer use Technique print or cast in making statue terracotta gandrung dancer and the combustion process. Keywords: garden, terracotta, statue, gandrung

This study uses the theory of existence to find out how the ability of the members of the Sukabumi Street Art community can maintain so that there is development, or vice versa, namely experiencing a decline. This research is one of the research that uses descriptive qualitative. The discussion of this type of research is in the form of a descriptive description by describing the data according to what is happening in the field. The subject of this research is the Sukabumi Street Art Community. The data in this study were obtained using source data which was divided into primary data, namely data obtained from sources, and also secondary data, namely data obtained previously by primary sources. Techniques in collecting this data through observation, interviews, documentation, and keputaskaan. The analysis technique for this data uses data analysis from the Miles and Huberman model which consists of data reduction, data presentation, and drawing conclusions. The results of this study on all members of the Sukabumi Street Art Community regarding "The Existence of the Sukabumi Street Art Community in Sukabumi City" have developed everyday. Activities are increasing and even this community is already known and appreciated by the people in Sukabumi City. Keywords: Existence, Sukabumi Street Art Community

The research that carried out in “Batik Rato WMS” house at sub-regency Sumenep is aimed to Describing aesthetic value in _Batik Tulis_ from “Batik Rato WMS” house. Batik Rato WMS is the batik from Sumenep, Madura-East Java. The subjects of this research are people who are resource persons and Batik Rato WMS craftsmen Jl. Dr. Soetomo, Lingkungan Delama, Pajagalan, Kota Sumenep, Kabupaten Sumenep, Jawa Timur 69416. This research was conducting by using a qualitative type with a descriptive approach. The research focused on the motifs and colors of Sumenep batik. The data in this study were obtained by observation, interviews, and documentation.    The following research finding are, as follows: The process of batik making are  preparation and process of making. The motifs and colors of Batik Rato WMS through Monroe Beardsley’s aesthetic approach have the value of three aesthetic elements, such as integrity, complexity and sincerity. (1) Unity is found in visual elements that are distilled based on the main motif, combined with guri’, as well as elements of local culture in Sumenep such as the winged horse, Keris Keraton, Kerapan Sape, Blarak and flowers with contrasting and bright colors. (2) The complexity shown in the number of ornaments in each sheet of cloth, which is arranged very finely and repeatedly in expressive way. The variations of the supporting ornaments are quite complicated, this is due to the effort to display the keris element on each sheet of batik cloth which is located on the sleeve as a characteristic of this batik. Batik Rato WMS coloring required time and accuracy in the coloring process with varied motifs and ornaments. (3) The element of earnestness in the motifs and colors found in the shape character of the distinctive motif so that it describes locality of the area and the large motif by considering the quality of the various properties that exist in the value/philosophy, which defined as tenacity, patience and perseverance.  Keywords: Aesthetic value, motif, color, Batik Rato WMS