To cite this article: Ida Engholm (2002) Digital style history: the development of graphic design on the Internet, Digital Creativity, 13:4,[193][194][195][196][197][198][199][200][201][202][203][204][205][206][207][208][209][210][211] To link to this article: http://dx.

Fashion as a phenomenon cannot be understood independently of the visual images and designed presentations that convey the content and forms of fashion. With the breakthrough of the digital media in the 2000s we were introduced to new ways of communicating and staging fashion where the blog in particular has established a new media culture for the distribution and exchange of potential fashion-based self-presentation forms and resulted in new design strategies. In this article, the fashion blog is presented as a specific genre that is characterised by remediating existing genre forms and combining them into new formats, where amateur bricolage approaches are combined with the reproduction of familiar features from the established fashion media. The article presents four types of fashion blogs, each representing a specific design strategy for presenting and interacting with fashion content. In closing, it is argued that the fashion blog as a phenomenon, on the one hand, has placed the ordinary fashion consumer centre stage as a producer of fashion content while also, on the other hand, helping to consolidate established hierarchical and communicative structures in the fashion system.

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This article presents a longue durée history of design thinking with particular focus on recurrent ideological tugs-of-war between two competing visions: Enlightenment ideals of logic, rationality and civic order against Romanticist ideals of artistic creativity and social change. Drawing on design history and cultural studies, the authors present a broad overview of more than 200 years of developments in European and North American design thinking, from the rise of design as a profession to the formation of a science of design. The article contributes to the history of design thinking by presenting the influence of specific, sociocultural configurations on design culture.