This article examines the moderation of conspiracy narratives surrounding COVID-19 through digital methods analysis of deplatformed or demoted videos. Building upon the literature on moderation, it performs a comparison of the types of content moderated by YouTube during the early stages of the pandemic. It seeks to determine the extent to which YouTube's own moderation actions are brought in as part of the conspiratorial narratives surrounding COVID-19, while investigating how it is that moderation becomes entangled with questions of truth and visibility.
This chapter explores Twitter’s moderation of authoritative sources and
their audience’s claims concerning COVID-19 treatments, transmission
and prevention techniques. It examines how they diverge over time,
and how Twitter intervenes in resulting debates via content moderation
guidelines and techniques. It argues that as public health organizations
and heads of state struggle to maintain consensus among themselves
and with their Twitter audiences on these issues Twitter exceptionally
steps in as an authority in its own right. It does so by flagging, suspending
and deleting contents, including those of authoritative sources that
threaten to disrupt a common understanding of the virus and vital health
information.
While in the social sciences everyday mobility and street use are seen as central to the understanding of urban societies, in the work of historians these phenomena only play a limited role. Building upon methods from related fields and using digital tools, this article proposes a new methodological approach to study historical mobility and street use. This 'snapshot approach' facilitates intercultural comparability and creates possibilities for systematic spatial analyses. We propose it forms an important tool to enhance our understanding of gendered urban experience in the past .
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