3In this article we show how subject positions are assumed when hip hop is used by 4 institutions supported by western nation-states as a 'cultural intervention' in the global south. 5

No abstract

This article argues for an attention to the DIY digital studio as a key site where aspiring hip hop MCs in the contemporary moment negotiate between their desire for individual success and their commitments to various forms of local belonging, not least which includes staying true to a hip hop ethos of collectivity. We follow Sonal, a b-boy and MC we worked with in a studio that we set up in Delhi, India in 2013 to work with aspiring MCs in the city’s scene. We trace his subsequent rise to fame in India to argue for an attention to the DIY studio as the material and metaphoric realization of the digital infrastructures of global capitalism. The studio manifests economic and social opportunities for young men like Sonal in Delhi, and, we suspect, for young people across the world who now have access to social media and inexpensive production hardware and software. Yet, in creating opportunities for individual economic and social uplift, the studio poses a threat to the ideal of a hip hop community that undergirds its possibility even as it opens up opportunities to enunciate commitments to other forms of belonging.

The Global South is a postcolonial imagined community that bears the potential to imagine powerful south-south solidarity between the struggles for decoloniality of diverse populations across the world. To prepare our field’s pan-global future, this year-in-review overrepresents literature on gender, sexuality and language from/on the Global South. This decolonial move aims to notice and promote southern tactics of resistance, southern epistemologies and southern theories and evaluate what can be learnt if we look southward on our way forward. Some literature from the Global North will be considered too. The review is structured using three overlapping foci: (1) embodied and linguistic resistance, (2) mediatisation and scale and (3) fragile masculinities. I conclude by suggesting that our research should stay locally situated and globally radical.