No abstract

The automatic metric analysis (commonly referred to as scansion) of Spanish poetry is not a trivial problem since it combines the nuances of the language, the different poetic traditions related to melodic patterns, and the personal stylistic preferences and intentions of the author. In this paper, we explore two alternative algorithmic approaches tailored to different applications scenarios. The first approach, Rantanplan, is a rule-based method that consists of four Natural Language Processing modules that work together to perform scansion and other related analysis: Part of Speech tagging, syllabification, stress assignment, and metrical adjustment. The second approach, Jumper, explores the possibility of performing scansion without syllabification, with a twofold purpose: to minimize the errors propagated in different parts of the linguistic processing pipeline (including the syllabification step), and to improve the efficiency of the process. Both systems outperform the state of the art and provide either a more informative solution (suitable, for instance, for teaching purposes) or a more efficient processing (when a correct scansion is all the linguistic knowledge required, as in scholar philological studies). The combined use of both systems turns out to provide a practical tool to clean-up manual annotation errors in corpora.

In this article we propose an approach to the study of art history based on geography of Hispanic Baroque art by digital means that showcase the multiplicity of possible places of art. Our study advances four elements of a digital geography of art (communities, semantic maps, areas, and flows)-a methodology that can be expanded in future Digital Humanities research.

The authors analyze the network of Hispanic baroque paintings from 1550 to 1850. They divide the dataset of 11,443 works from Spain and Latin America into 25-year periods in order to study the evolution of the paintings' 211 descriptors. The analysis shows that most of the paintings are linked through genre and theme and that religious Christian themes make up the overwhelming majority of connections among the paintings.

The splitting of words into stressed and unstressed syllables is the foundation for the scansion of poetry, a process that aims at determining the metrical pattern of a line of verse within a poem. Intricate language rules and their exceptions, as well as poetic licenses exerted by the authors, make calculating these patterns a nontrivial task. Some rhetorical devices shrink the metrical length, while others might extend it. This opens the door for interpretation and further complicates the creation of automated scansion algorithms useful for automatically analyzing corpora on a distant reading fashion. In this paper, we compare the automated metrical pattern identification systems available for Spanish, English, and German, against fine-tuned monolingual and multilingual language models trained on the same task. Despite being initially conceived as models suitable for semantic tasks, our results suggest that transformers-based models retain enough structural information to perform reasonably well for Spanish on a monolingual setting, and outperforms both for English and German when using a model trained on the three languages, showing evidence of the benefits of cross-lingual transfer between the languages.