With the development of Web 2.0, the online publication of Korean cartoons has increased substantially. The webtoon is a new genre of publishing Korean comics (manhwa) online, and is considered a unique case in the global cartoon market. The increase of Internet users and digital cultural consumption has established conditions for fostering the platform for webtoons and their production. In addition, the popularity of Korean dramas and K-pop has cultivated the spread of webtoons in the countries receiving dramas and K-pop. This study discusses the characteristics of Korean webtoons and their development using the concept of "glocal culture. " The glocalization of Korean cultural contents is the combined result of local socio-cultural characteristics of Korea, the hybridization of global and local features, and the transnational consumption of the Korean cultural contents. Such glocalizing dynamics can be seen in the process of the consumption and creation of new forms of pop culture in the countries receiving Korean Wave products. The paper argues that webtoons should also be understood as an exemplary glocalization of Korean culture, representing the social and cultural characteristics of Korea, while also having an impact on foreign comics industries in the age of digitalization. In addition, the glocalization process of Korean webtoons promotes cultural communications establishing a global webtoon fandom.
This research aims to consider the participatory behaviors and the relationship building of the Hong Kong Korean Wave fans on YouTube and to explores the effect of the behaviors in order
This study aims to understand the background and characteristics of receiving Hallyu based on the cognitions and attitudes toward Korea and Korean culture in the Philippines. With the background of Business Hallyu and Cultural Hallyu between the two countries, this study conducted the Focus Group Discussion(FGI) research, literature research and analyzed the statistical resources. The economic and cultural exchanges between Korea and the Philippines have been increased by the effect of Hallyu, but the socio-cultural conflicts, such as Kopino issue, crimes related to Koreans have been also grown. Thus, the Hallyu research focused on the Philippines is necessary, and it will be a cruical variable to forecast the socio-cultural relationship between Korea and the Philippines. The FGI research recruited participants in both undergraduates in the Phillippines and the Filippino migrants in Korea. The FGI participants of each group shows the differences of cognitions, attitudes, and actions to consume Hallyu, and the participants of both groups agrees that experiences of contacting Koreans influence on understanding Korea and its culture. The FGI participants have tried to watching Korean dramas, learning Korean languages, and building relationships with Koreans in order to adjust Korean culture. In order to improve the relations between Korea and the Philipines, Hallyu needs to promote its values as the unique culture and also universal culture in the world. Korea should increase understanding of the Filippino culture to overcome cultural differences and make efforts on localize the Hallyu 3.0 in the Phillippines.■ keyword : |Hallyu in the Philippine|Hallyu 3.0|Cultural Relation|Social Interchange|Anti-Hallyu|
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