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If one compares the works of Guy de Maupassant and Bunin I.A., he or she will find that these two writers are related by a subject matter. In particular, attention is drawn to the description of relationship between men and women. It is essential that Russian writer's attitude toward the works of his French colleaguepredecessor -a bright representative of European realism of the XIX century -changes as he develops in creativity. Textual analysis of similar (by plot) works of Maupassant and Bunin was carried out on the back of the experience of many writers, who have studied the legacy of both classics. Bunin is proved to be modernizing the realistic poetics and going a way of neo-realism -realism, enriched by the influence of modernism.

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The article compares systematically the works of Russian rural prose school and Chinese Beijing school from the point of view of reflection of female image in the works, analyzes the similarities and differences between them, as well as the reasons for their emergence from the position of comparative literary typology, taking into account the ontology of creativity. The village is the land where Russian and Chinese cultures grew and flourished, and rural literature written in the village gained a high reputation in both Russia and China during the period of great social transformations. The subject of the study is the characteristics of women's images in Russian and Chinese literature. The aim of the work is to analyze and compare female images in authors from Russia and China. Research methods – analysis of literary sources on the topic of research. Results of the research: the study of literary works from Russia and China on the theme of rural life was carried out, the portrayal of the female image by the authors of the two countries was compared. Conclusion. The works show an attempt to transform society through the pursuit of traditional culture and morality, in order to achieve an ideal state of society, full of love and freedom. The similarity of national-cultural narratives, themes and artistic styles makes the works of the Russian rural prose school comparable to the works of the Chinese Beijing school of simple fiction, but the differences between the historical and cultural background, religious beliefs and poetic soil of Russia and China make the works of these two schools of writing somewhat different.

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