Native American cultures are constituted upon the gendered division of labor. The economic spaces are constructed upon gender roles that allocate specific roles to Native American men and women. The subsequent socio-economic patterns allocate spatially marginalized positions to the Native American woman in comparison with men. The present study explores Native American woman's transgression of traditional economic spaces of Native Americans in Polingaysi Qoyawayma's No Turning Back. This study employs Doreen Massey's theoretical formulation of economic space to understand the protagonist's transgression of Hopi gender roles. This study maintains that the protagonist of the novel subverts conventional Hopi division of labor by adopting subversive gender roles.

'With Justin Williams' 'spatial justice' and Pierre Bordieu's 'role of gender', this article explores how gender socialization is the outcome of spatial correspondences and how the biological concerns regarding gender, specifically in third world countries like Pakistan, are the catalysts in this process of gender socialization. In this regard, this article delimits Jamil Ahmad's The Wandering Falcon to exhibit the cultural interpellation concerning gender disparity in establishing spatial justice. Space contributes to the socio-political and cultural consciousness that lets the gender know his/her location in a given social boundary. This gendered location is significant concerning a privileged stature of patriarchal/matriarchal mindset and performances. On the other hand, the phenomenon of spatial justice literalizes and materializes these mindsets and performances. This article examines the shift from individual consciousness to a social identity hence locates the impact of space in allocating a role to the gender.