Internet resources abound for preservice teacher (PST) use today, but we do not know how they choose and describe their implementation of them. This study investigates 158 elementary PSTs’ lesson plans across eight courses to describe plan inspiration and justification. PSTs reported being inspired by cooperating teachers (CTs), friends and family members, university courses, and Internet resources. In some cases, these PSTs simply followed lesson plans given to them. In other cases, they collected, curated, synthesized, and applied ideas based on inspirations, showing dispositions of New Literacies Theory. This study provides evidence that teacher educators need to engage PSTs in intentionally developing the skills of curation by acknowledging and modeling the depth and breadth of resources, including those that are not necessarily sanctioned. Implications include ways that teacher educators can frame PSTs’ understandings as they critically consume online resources through Critical Curation Theory.

The Pecha Kucha talk is an effective way to encourage the composition process; to promote the use of effective visuals to explain and engage; and to distribute the expertise in the classroom away from the teacher as the central expert and to the students. In this paper, we describe and give an example of what is called a Pecha Kucha (Japanese for ‘chit chat’). When examined within the frameworks of theorists in the areas of composition, pedagogy, and literacy, this emerging presentation genre is promising for both composer and audience. With this in mind, we first discuss ways that the creator of the Pecha Kucha may benefit from the specific composition space. We then share how this composition exercise is an effective teaching tool. Next, we show ways that this presentation style maximizes learning with image and speech coordination and skills of analysis and synthesis. Then we introduce how Pecha Kuchas give students the opportunity to teach and to work with technological tools in authentic ways. Finally, implications for future practice in developing compositions using oral delivery with visuals are discussed.

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The authors explore ethical considerations, as well as logistical concerns of online portfolio creation by teacher candidates by examining how the Reading Faculty in one university instituted a cross-course online portfolio that followed students as they progressed through their Master's degree in Teaching (MAT) program. This grassroots online portfolio initiative, while collegial, became a microcosm of technology use in education today where faculty attempted to provide students with a job-seeking tool while also encouraging reflection on their growth in the teaching profession. This tenuous line in an environment of hyper-standardization and accountability left unanswered questions. Faculty worked to transparently examine costs and benefits to stake-holders. This chapter describes how the online portfolio project developed, and offers vignettes that illustrate some of these issues faced by the teacher educators who implemented the project across their courses.

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