In this study, the 28 primary colors and 11 complementary colors suggested by Chang et al in their investigation on building colors in Wanhua District of Taipei City were taken as color samples. The two‐color combination mode was adopted to obtain 308 simulation photos, and two‐color harmony was discussed from the perspective of visual evaluation using psychophysical tests. This study explored building façade color harmony in the CIELAB color space, and the relationship between the color attributes (hue, lightness, and chroma) and the color harmony, and between the differences of the color attributes and color harmony. It found that a high lightness of a building's primary color is associated with a high level of building color harmony, while the color harmony is reduced when the color falls in the green or blue sector in the CIELAB color space; a greater lightness difference between building façade colors is associated with a higher level of building color harmony, while the colors are disharmonized when they tend to the blue sector in the CIELAB color space. The contribution of this study is to summarize the principles for the application of building color harmony in urban renewal, and proposed suggestions on building color harmony in the urban renewal process.

This study used computer software to design building models with selected colour parameters based on a two‐colour pattern combination, which was then presented on a standard computer screen. Further, the two‐colour combination pattern was adopted to prepare building simulation pictures with 153 colour combinations. A total of six hues were extracted based on the Natural Colour System, and there were also 18 colour samples with different lightness and saturation degrees. The results of the study found that hue difference, lightness difference, chroma difference, and total colour difference have a significant effect on harmony. On the other hand, hue difference, chroma difference, and total colour difference have a significant effect on preference. It is worth noting that lightness difference and architectural colour preferences were negatively related. In addition, there was a high correlation between architectural colour harmony and preference.

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