Despite calls for diversity and minority participation in library and information science (LIS) and archival science, these professions have seen little change in this respect over the past two decades. This paper attempts to connect the archived, enslaved black woman of the French Antilles to the contemporary black woman in the United States. The paucity of archival materials on the first group is reflective of the low incidence of the second group in today's archives profession. That is, the way in which black women of the Americas have been historically misrepresented or not represented at all can be connected to recruitment and retention problems in the archival profession. If black women are not recognized as worthwhile subjects in the archives, and presently not valued as knowers, how can they be accepted as library and archive professionals? If the archives are where origin stories are excavated, black women-through the profession of archival science-have a role to play in the administration and management of archival materials concerning the historical enslavement of black women. The paper will specifically discuss concepts from archival appraisal theory and highlight the ways in which power influences the collection of archival materials. Also, educational and training solutions that include black feminist thought, critical race theory, and cognitive justice are discussed. "What can a niggerwoman do but endure? What can me do but tell the story? Who is there when we recall great womens?"-Marlon James, The Book of Night Women According to the American Library Association's (ALA) 2007 Diversity Counts report and the HistoryMakers' (2013) "Education: Assessment of Need"
A growing body of literature has developed around critical archival instruction and archivists as educators. This development demonstrates the pedagogical evolution beyond show-and-tell sessions to critical approaches in archival instruction and specific standards in archival literacy. This article provides a cross-disciplinary discussion of an approach to archival instruction. Also included is a reimagined instruction session using a fragmentary collection from the Saint-Domingue/Haiti colonial administration. Stories of the enslaved are usually marked by death and brutality. But Haiti's is a story of triumph; though fleeting, a victory nonetheless. When instructors decolonize archival instruction, they bring the past into the present and the future. The Haitian Revolution was a large-scale revolt by enslaved Africans, and it was also directly connected to the expansion of the United States. Archival instructors should encourage students to reimagine the stories told from the Saint-Domingue colonial administration collection and from any colonial collections that may be under their care.
By centering the leadership of Jean Blackwell Hutson during her tenure at the Schomburg Center for Research in Black Culture, this article offers a glimpse into the unique features of Black women’s approach to leadership in the library and archives professions. Specific biographical moments were selected in order to analyze them through the conceptual lens of intersecting oppressions that Black women in leadership or management positions may experience.
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