In this article, the authors respond to Deleuze and Collaborative Writing: An Immanent Plane of Composition. The book’s authors (Jonathan, Ken, Susanne, and Bronwyn) and two discussants (Elizabeth St. Pierre and Norman Denzin) consider questions such as the following: What does this book open up? How might it help us to think differently (e.g. about inquiry, about collaboration, about the ethics of reading and writing in such an assemblage)? And how does it contribute to the growing literature on collaborative writing as method of inquiry?
This article offers a discussion concerning the future of collaborative writing as a method of inquiry. Taking the form of a dialogic exchange, we take up Isabelle Stengers’ notion of “wonder” as a creative and political lens through which to consider the disruptive, radical, and productive methodological capacity that collaborative writing as a research method potentially offers. Working particularly with Deleuze and Guattari, we argue that language in collaborative writing practices is deeply entangled with complex materialist practice, and through engagements with these “matterings” we make sense of collaborative writing as immanent event. We discuss—and experience—the challenges that collaborative writing has for research and this article pushes at established categories, works against the fixities of conventional theory construction, contests the humanist and phenomenological proclivities that arguably limit the process and effectiveness of collaborative writing as method of inquiry, and wonders at the immensities that are possible.
This article involves four writers exploring together the insights into collaborative writing that Deleuze can offer. Jonathan and Ken in the United Kingdom and Bronwyn and Sue in Australia have separate histories of collaborative writing, and in this collaborative project, they extend their thinking about Deleuze and work reflexively with his concepts to examine their own four-way collaboration. The thoughts of Deleuze provide a means of looking at collaborative writing as performance, as a means of becoming, each for the unknown other; selves as writers and academics but also sexed subjects living complex lives, in this case in worlds many miles apart. The article offers the collective and multiple senses of how the thoughts of Deleuze can be brought to life in collaborative writing.
In this paper we describe the design of a managed learning environment called MTutor, which is used to teach an online Masters Module for teachers. In describing the design of MTutor pedagogic issues of problem-based learning, situated cognition and ill-structured problems are discussed. MTutor presents teachers with complex real-life teaching problems, which they are required to solve online through collaboration with other teachers. In order to explore the influence of this online learning experience on the identity and practice of teachers, we present the results from a small-scale study in which six students were interviewed about their online experiences. We conclude that, within the sample, students' engagement with online problem-based learning within their community of practice positively influenced their professional practice styles, but that there is little evidence to suggest that online identity influences real-life practice.
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