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In this article I explore the making of national culture through bureaucratic routines in the Centre for National Culture in Wa, North-Western Ghana. I focus on an aspect of bureaucracy that is usually left aside: the productivity and creativity of bureaucratic routines. State, nation and culture are not fixed entities, but have to be constantly produced through processes of negotiation and meaning-making and through the continual reproduction of their boundaries and the categories that determine what is to be promoted or preserved. Bureaucratic routines and administrative processes are analysed as practices objectifying and nationalising culture and naturalising the boundaries and categories created through the cultural officers' practices.

The nation is a relatively abstract imagined community that is visualised through a variety of symbols as well as communicative and performative practices. In this paper, we explore how the national territory, one of the foundations of the nation‐state, is performed on national‐day celebrations and brings the nation into being. Drawing on ethnographic research on national days in Burkina Faso, Côte d'Ivoire and Ghana, we show how the state's internal administrative divisions and ethnic differences are at once made explicit but also subordinated to the nation. Moreover, we show how in such celebrations, potentially disruptive or competing affiliations such as ethnicity and regional loyalties are re‐imagined. Both the rotation of the central celebration and its replication all over the national territory carry the nation into the regions and integrate the regions into the nation‐state. The ‘co‐memoration’ turns participants and spectators from locals into national compatriots and thus not only performs nationality but also performs the relationship among nation, state and citizen, set within a particular territory.

National-day parades constitute a common format of embodying the nation. Composed of numerous distinct bodies of persons with individual characteristics (being short or tall) and multilayered societal roles (being a nurse, a father etc.), parades primarily evoke an image of sameness, while they also display differences. Focusing on the preparation of the Burkinabè national-day parades, this paper explores practices of disciplining bodies and making them appear similar and/or different. We ask how national-day parades mirror and produce images of the nation and how they treat differences like sex, ethnic belonging and occupation. The paper highlights that performances of the nation, as produced through civilian parades, are co-productions of all actors involved. Moreover, the focus on the rehearsals reveals that they generate a group experience for both organisers and participants, arguing that parades should not only be understood as ephemeral events, but as social interactions creating group experiences that have lasting impact.

ABSTRACT. This article explores competing histories of independence in Côte d'Ivoire. The 2010 commemoration of fifty years of independence led to competing histories about how and if the nation achieved independence in 1960. The postelectoral crisis of 2010-2011 that followed soon afterwards has been interpreted by supporters of the outgoing president Laurent Gbagbo as an attempt by France and the international community to re-colonise Côte d'Ivoire. The article asks how different versions of this history are connected to different political projects and how they have changed through time. The article will analyse these processes of meaning-making in a historiology of Ivorian independence, thus contributing to constructivist accounts of nationhood, collective memory and historiography. The paper thus argues that different media of recalling the past in the present, such as commemoration and historiography, should be studied in a complementary manner to understand how (joint) remembering and forgetting are tools and mirrors of nations at work.