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This paper discusses pre-service teachers’ use of multi-modal tools to produce three-minute films in light of critical moments in their teaching practice. Two cases are considered; each centers on a film, a “little epic” that was produced by a future teacher who attempts to work within an anti-racist framework for social justice. Findings point to how multimodal tools are effective for engaging meaningfully with unresolved conflicts. However, in the face of trauma experienced, the future teachers’ efforts to work within a social justice framework may be pushed to the margins. This pedagogy / research sheds light on the workings of the inner landscape of becoming teachers, and highlights the dynamic of education as a psychic crisis compounded by the demands of the social.

This study considers the complexities of living a cross-cultural curriculum within the multicultural contexts of Canada through following the experience of some first generation immigrants in a project that employs the multi-dimensional space of the Internet and cyber social communities within a vocational public school in Ontario. Disrupting traditional conceptions of students' production of literacies, the project seeks to rework the boundaries that define multiculturalism as a series of homogeneous hyphenated spaces from which students who are racialized as non-white are expected to speak. Here we consider, "what is at play in the hyphen?" and "how might the networked classroom space be considered a hyph-e-nation?" To explore these questions, we begin with an overview of multicultural education in Canada. We then employ a reading of Third Spaces and quantum physics to reread how students might open up dual Third Spaces through self representations in a social networking space: first through the social network as a Third Space and second, as certain kinds of learners caught in the hyph-e-nated middle of Canadian multiculturalism in an Ontario classroom. The case studies are followed by a discussion that problematizes discourses of comparison between cultural communities of which students with many cultural Living a Curriculum of Hyph-E-Nations 92 backgrounds and experiences are members.

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