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This study examines changes in the cultural policy in Hong Kong amid the transformations of political economy in the 1990s, following the handover in 1997, and under the administration of three Chief Executives (and their teams) up to 2015. When reviewing the literature on cultural policies in Hong Kong, this study examines the interaction the policies have with the political-economic development in Hong Kong (within the scope of this study) and subsequently explores changes in the principles of the policies. In other words, this study attempts to understand the conditions under which cultural policies were formulated in Hong Kong (the conditions of the production of local culture). The analytical framework of this study is based on two observations of the political and social changes occurring in Hong Kong (1997-2015): (1) changes in the government's governance attitude since the handover in 1997, and (2) a series of economic blows Hong Kong has endured since 1998. Differing from the 'descriptive literature' defined by Schuster, this study understands that these changes are a result of the influence of a postcolonial state and neo-liberalism on public policy formulation. It is argued that the Hong Kong cultural policy framework has shifted from checks-and-balances towards centralised market orientation.

This collection for Cultural Studies Review aims to address gaps in existing mobilities scholarship from two perspectives. First, while several articles here discuss the physical movement of various groups, the overarching focus is the complex interplay of mobile technologies and information on the one hand, and rapidly evolving formations of culture and identity on the other. Geographically, our focus is outside the ‘global north’, on a region that has perhaps been more dramatically transformed by physical, cultural and informational mobility than any other: East and Southeast Asia. Rather than taking ‘Asia’ as a category of cultural identity, this collection conceptualises the geographic region as a zone of cultural and political plurality, in which a vast array of migrations, imaginings, representations and discourses are constantly bumping up against political and cultural borders, as well as various state-sponsored and state-sanctioned ideas and images, in fascinating and often highly volatile ways. Topic covered in this collection include Hong Kong working holidaymakers in Australia (Louis Ho), literary narratives of overseas adoptees who have returned to South Korea (Ethan Waddell), online debates and conflicts between Chinese migrants and local Chinese-Singaporeans (Sylvia Ang), the politics of representing urban demolition and relocation in independent Chinese documentaries (Dan Edwards), the ‘glocalisation’ of Japanese anime culture in the online space in China (Asako Saito) and the representation of migrant worker experience in South Korean cinema (Sina Kim).