No abstract

ResumoEste ensaio apresenta um breve panorama conceitual acerca da relação entre desconstrução e design gráfico, no intuito de indicar como a cultura se desvela enquanto redesconstrução visual. Utilizando como referências principais Jacques Derrida, Ellen Lupton e Abbott Miller, começo apresentando a pauta em questão e delineio, como pano de fundo, a tradição moderno-formalista no design gráfico. Em seguida, descrevo como a desconstrução foi uma noção chave para a crítica pós-moderna e finalizo apontando o papel atual da desconstrução visual na cultura.Palavras Chave: Desconstrução, Design Gráfico, Design e Cultura. AbstractThis essay presents a brief conceptual overview about the relationship between deconstruction and graphic design, in order to indicate how the culture reveals itself as a visual redeconstruction. Using as main references Jacques Derrida, Ellen Lupton and Abbott Miller, I begin by presenting the question and I outline, as a background, the modern-formalist tradition in graphic design. Then I describe how deconstruction was a key notion for the postmodern criticism and I end by pointing out the role of visual deconstruction in culture.

Este artigo discute e analisa, conforme a abordagem dos Estudos Discursivos em Design, três textos publicados no Congresso Internacional de Design da Informação – em sua trilha História e Teoria, e nos artigos selecionados para publicação na revista InfoDesign – entre os anos de 2013 e 2017. Partindo da teoria pós-estruturalista de Michel Foucault, os discursos expressados e sustentados pelos trabalhos – selecionados através de uma Revisão Bibliográfica Sistemática simplificada – são discutidos com o intuito de sinalizar a existência de uma rede discursiva que, ao mesmo tempo, sustenta e permite a existência do Design da Informação enquanto campo do conhecimento.*****In the present article three works published in the International Congress of Information Design between the years of 2013 and 2017, specially selected from its ‘History and Theory’ thread and amongst the articles selected for publication in the InfoDesign journal, are discussed under the light of Design Discursive Studies. Based on the poststructuralist contextualization of Michel Foucault, the discourses expressed and sustained by these works, which were selected by a simplified Systematic Literature Review, are discussed as means for the existence of a discursive network that, at the same time, enables the existence of Information Design as a field of knowledge.

No abstract

Considering the current demands for the inclusion of diversity in most sectors of society, how to contemplate the question of place of speech in the discursive dimension of graphic/information design? This article presents a brief conceptual panorama of the relation between discourse and place of speech. In order to better understand this relation, we consider it both within the theoretical and practical scope of graphic/information design. At first, the poststructuralist influence on graphic design is presented and, then, the notion of place of speech is discussed, drawing attention to its uses and contradictions. Finally, the importance of giving a place to speech is highlighted, and heuristic orientations towards the discursive dimension of contemporary graphic/information design are proposed.