No abstract

Una aproximación a las principales dificultades léxicas...

No abstract

Based on critical approaches to discourse and metaphor, as well as on cognitive models of metaphorical creativity and recontextualization, this article analyses the origin and evolution of the marea ('tide') metaphor as a tool for social action within recent Spanish protest movements (2011-2016). From an initial image metaphor representing different protest groups, to the use of the expression to identify a number of grassroots political parties, among other new meanings, the metaphor has proved to be an important tool in the legitimation of recent social action and change in Spanish society since the eruption of the 15M movement in 2011. By tracking its development, the study explains not only how the source domain marea activates highly positive meanings and emotions within the targets social protest, political parties, change and so on, but also how this ideological, socio-culturally conditioned, cognitively situated metaphor is becoming entrenched in the community within a very specific socio-historical and cultural context.

Digital stories are a very recent multimedia practice by which ordinary people construct short narratives on personal affairs combining voice, images and sometimes music. This paper contributes to the description of this new emergent genre from both a multimodal and a cognitive point of view, by exploring how diverse semiotic channels in digital storytelling provide different kinds of information (factual, emotional, cultural, etc.) which are finally integrated to construct the global meaning of the narrative. For this purpose, we combine Kress and Van Leeuwen's (1996) scholarly work related to multimodal representation, with the use of some notions of the Mental Spaces and Conceptual Integration theory (Dancygier, 2008;Fauconnier & Turner, 2002). The results of this study are of interest to those concerned with the representational and communicational modes of semiotic resources in storytelling.