With such a large volume of material accessible from the World Wide Web, there is an urgent need to increase our knowledge of factors in#uencing reading from screen. We investigate the e!ects of two reading speeds (normal and fast) and di!erent line lengths on comprehension, reading rate and scrolling patterns. Scrolling patterns are de"ned as the way in which readers proceed through the text, pausing and scrolling. Comprehension and reading rate are also examined in relation to scrolling patterns to attempt to identify some characteristics of e!ective readers. We found a reduction in overall comprehension when reading fast, but the type of information recalled was not dependent on speed. A medium line length (55 characters per line) appears to support e!ective reading at normal and fast speeds. This produced the highest level of comprehension and was also read faster than short lines. Scrolling patterns associated with better comprehension (more time in pauses and more individual scrolling movements) contrast with scrolling patterns used by faster readers (less time in pauses between scrolling). Consequently, e!ective readers can only be de"ned in relation to the aims of the reading task, which may favour either speed or accuracy.
Abstract. The primary objective of this paper is to critically evaluate empirical research on some variables relating to the configuration of text on screen to consolidate our current knowledge in these areas. The text layout variables are line length, columns, window size and interlinear spacing, with an emphasis on line length due to the larger number of studies related to this variable. Methodological issues arising from individual studies and from comparisons among studies are identified. A synthesis of results is offered which provides alternative interpretations of some findings and identifies the number of characters per line as the critical variable in looking at line length. Further studies are needed to explore the interactions between characters per line and eye movements, scrolling movements, reading patterns and familiarity with formats.
With increasing use of the World Wide Web, rapid scanning or skimming of material on screen has become a frequent activity. However, the outcome of this method of reading has not been thoroughly investigated. Using a range of question types, comprehension was measured after reading from screen at both a normal and fast reading speed. In addition, by automatically recording how readers scrolled through each document, reading patterns were explored. A speed-accuracy trade-off was found and, in general, the recall of specific details was less accurate than responses to`higher order' questions. However, questions that addressed the structure of the text were hardest. Analysis of the scrolling movements showed that the overall time spent pausing between movements was the best predictor of comprehension. At a normal reading speed, the most effective readers, in terms of higher comprehension scores, were those who spent more time between scrolling movements, which were fast and frequent.
Letter identification is a critical front end of the reading process. In general, conceptualizations of the identification process have emphasized arbitrary sets of distinctive features. However, a richer view of letter processing incorporates principles from the field of type design, including an emphasis on uniformities across letters within a font. The importance of uniformities is supported by a small body of research indicating that consistency of font increases letter identification efficiency. We review design concepts and the relevant literature, with the goal of stimulating further thinking about letter processing during reading.Keywords Letter identification . Letter perception . Font . Font tuning . Common features . Type design . Reading Motivated by the increasing realization that letter perception is an important but overlooked stage in the reading process (e.g., Finkbeiner & Coltheart, 2009;Grainger, 2008;Massaro & Schmuller, 1975;Pelli, Burns, Farell, & Moore-Page, 2006), there has been a resurgence of interest in letter perception in relation to reading. It is now clear that letter perception provides a critical front end for reading because letters are functional units; they are independent pieces of the word code (e.g., McClelland, 1976;Oden, 1984;Pelli, Farell, & Moore, 2003). The visual forms of letters exist within a larger structural design, a family of objects known as the type font. This idea has implications for perceptual identification that we begin to develop here.In previous research and theory, a core concept is distinctiveness-the properties that make one letter easy to discriminate from its alternatives in the alphabet. This has led to the central concept of feature detection in the literature (e.g., Fiset et al., 2008;Gibson, 1969;Massaro & Schmuller, 1975). Letters are defined by sets of features whose membership is determined by distinctiveness. If distinctiveness is indeed critical, increasing it through alphabet design should increase legibility. This logic has been recently advocated (e.g., Fiset et al., 2008;Gosselin & Tjan, 2008).1 However, if letter distinctiveness is an incomplete basis for understanding letter processing during reading, calls to redesign letters are premature.A richer view of letter processing incorporates structural relations between letters and originates in the field of type design. Type designers have long been concerned with letter form and its impact on reading. Text fonts are designed for reading continuous paragraphs of text, and the main goal in their design is to produce optimally legible letter forms. Type designers recognize the importance of distinctiveness, but they also emphasize the uniformity of letters (e.g., Carter, Day, & Meggs, 1985;Cheng, 2005). The classical goal of 1 The idea of improving legibility through research and design is not new. Modifications to increase distinctiveness have been explored by Kolers (1969), Crist (1980), and, more recently, Beier andLarson (2010). A modification that was actually used (mainly...
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