Over the past two decades, academic feminism has differentiated and fragmented substantially in light of a wide range of new approaches in theory. This overview and assessment of the wide, diverse, and changing field of feminist theory gives particular attention to contestations surrounding the political theorizing of gender, identity, and subjectivity. Three divergent and oppositional perspectives-difference feminism, diversity feminism, and deconstruction feminism-frame current discussions regarding the "construction" of the female subject; the nature of sexual difference; the relation between sex and gender; the intersection of gender, race, class, sexuality, etc.; and the significance of "women" as a political category in feminism. The problem of epistemic identification (locating or dislocating the female subject, analyzing gender difference, politicizing identity) is also a central element in the theorizing of feminist politics, multicultural citizenship, justice, power, and the democratic public sphere. Within this domain, we find equally intense debates among feminist theorists concerning the meaning of feminist citizenship and the politics of recognition, as well as the relations between gender equality and cultural rights, feminism and multiculturalism, democracy and difference. Although the field is far from convergence even on the meaning of feminism itself, we might take its current state as a sign of its vitality and significance within the discourses of contemporary social and political theory.

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Machiavelli's most famous political work, The Prince, was a masterful act of political deception. I argue that Machiavelli's intention was a republican one: to undo Lorenzo de Medici by giving him advice that would jeopardize his power, hasten his overthrow, and allow for the resurgence of the Florentine republic. This interpretation returns The Prince to its specific historical context. It considers Machiavelli's advice to Lorenzo on where to reside, how to behave, and whom to arm in light of the political reality of sixteenth-century Florence. Evidence external to The Prince, including Machiavelli's other writings and his own political biography, confirms his anti-Medicean sentiments, his republican convictions, and his proclivity for deception. Understanding The Prince as an act of political deception continues a tradition of reading Machiavelli as a radical republican. Moreover, it overcomes the difficulties of previous republican interpretations, and provides new insight into the strategic perspective and Renaissance artistry Machiavelli employed as a theoretician.

El contexto es lo que cuenta: feminismo y teorías de la ciudadanía

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